One Thing Leads to Another Benjamin Millepied on His High-Fashion Ballet Collaboration

One Thing Leads to Another

0 comments

One Thing Leads to Another

One Thing Leads to Another

MY RATING

RATE THIS STORY
MY RATING
EDIT RATING

RATE THIS STORY

COMMUNITY RATING

Art & Design

One Thing Leads to Another

Benjamin Millepied on His High-Fashion Ballet Collaboration

Inspired by the freewheeling title of choreographer Benjamin Millepied’s One Thing Leads to Another at the Dutch National Ballet, we asked the polymath performer about his collaborative improvisations with composer Nico Muhly and the Rodarte sisters, and that sublime moment when the whole becomes greater than the sum of its parts.

Where did the title One Thing Leads to Another come from?

Nico [who provides the ballet’s musical score] gave that title. Looking at the progression, musically, it made a lot of sense. And it really made sense for the dance because I followed the score and its journey—it had a lot of different parts and was relentless and very beautiful.

You and Nico have worked together a few times now. What about him appeals to you?

I think we have a definite closeness in our collaboration. I mean, I love his music to begin with, but he also knows what triggers me and is able to deliver the kind of score that inspires me. This is the second orchestral score we’ve done—he had done one for me a couple of years ago which was really good, but he has obviously had more experience writing for orchestra since. This piece was just stunning. 

And what led you to call in the girls from Rodarte?

Well, I had seen them work on Black Swan [Darren Aronofsky’s forthcoming film in which Millepied stars], and I was blown away. The costumes were so beautiful and elegant and otherworldly, I thought, “Wow, this is something.” The girls are really inspired, but they also researched. A lot of fashion designers don’t look far enough. Plus, I got to spend a little bit of time with them, and I could go on and on about how wonderful I think they are.

Did you give them specific direction?

I let them go with the flow… [laughs.] They developed an idea for a look that wasn’t the minimalism I would usually choose––because it’s safer. It worked with where I was going, so I thought, “Let’s go for it.” Once we got on stage we had some challenges, because fabric never looks the same up close as it does from a distance, so I ended up getting a white floor. I really felt on opening night that you were looking at something so cohesive––I was thrilled. The costumes had taken me to a place I had never thought of. Finding the right people who are true artists who can deliver for your work is just the best––that’s the dream.


Contributors

RELATED TOPICS

MORE TO LOVE

Ivan Michael Blackstock’s TRAPLORD

Dance artist and cultural innovator Ivan Michael Blackstock questions stereotypes of Black masculinity through dance in the return of his Olivier Award-winning show TRAPLORD. Landing at Sadler’s Wells East, the performance meditates on life, death and rebirth, wandering between dreams and reality on a new heroic journey to self-actualisation. Using dance, theatre and spoken word to explore raw themes of mental health and masculinity, TRAPLORD confronts the misrepresentation of Black men in contemporary western society, attempting to escape from the mental state of being condemned before having lived. 28 – 31 May 2025.

SMAC San Marco Art Centre Opens

A pioneering new arts center in Venice, spanning visual arts, architecture, fashion, technology, and film, SMAC opens to the public on 9 May. Taking over the second floor of the Procuratie in Piazza San Marco, SMAC examines contemporary visual culture against history, science, philosophy, and society from a new exhibition space comprising 16 galleries. To coincide with the 19th International Architecture Exhibition, La Biennale di Venezia 2025, SMAC’s inaugural programme features two solo exhibitions dedicated to Australian modern architect Harry Seidler and pioneering Korean landscape designer Jung Youngsun – ahead of an upcoming programme realised in collaboration with world-class international institutions and curators. Opens 9 May.

David Hockney 25

David Hockney, one of the most influential artists of the 20th and 21st centuries, has taken over the entire building of the Fondation Louis Vuitton for an exhibition that is exceptional in its scale and originality. David Hockey 25 brings together more than 400 of his works (from 1955 to 2025), including paintings from international, institutional, and private collections, as well as works from the artist’s own studio and Foundation. The exhibition shows how the artist has continually renewed both his subjects and his mode of expression, reinventing his art with the use of new media to become a champion of new technologies. Until 31 August.

One Thing Leads to Another