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Erin Wasson in L’Intruse

The Model Steps Forward as the Roguish Heroine of a Surreal Desert Tableau

Sauntering down a desolate highway in opaline pasties and pink latex knickers, an otherworldly Erin Wasson enacts an unexpected domesticity in this short by filmmaker Columbine Goldsmith, shot in California’s Mojave Desert. Wearing spring/summer 2013 looks from the likes of Fendi, Bottega Veneta, Chanel and Alexander Wang, Wasson walks the line between the real and the extraterrestrial as an apathetic housewife tending to a fantastical plot of land. “The landscape doesn’t reveal time or place, so I wanted to imbue the protagonist with a more defined character: an old-fashioned housewife in 60s and 70s silhouettes who also has something discernibly futuristic about her,” says Goldsmith. Referencing the bleak landscapes of Michelangelo Antonioni’s L’Avventura and the humanoid alien of The Man Who Fell To Earth, the film’s title comes from a serendipitous moment: during the shoot at Joshua Tree National Park, Goldsmith noticed a plaque on a nearby boulder that read “La Intrusa Piedra” (The Intruder Rock). The mysterious signage provided an unexpected and welcome nod to the outsider status that Wasson––a veteran of the pages of Vogue and the runways of Balenciaga, Gucci and Lagerfeld, and muse to the likes of Ellen von Unwerth––atypically incarnates in the film. Here she steps out of the sand to reveal her real-life chill-out preferences.

Burning Man or Bonnaroo?  
Bonnaroo.

Domestic goddess or domestic help? 
Domestic goddess.

Astrology or biology? 
Both go hand in hand. 

Tan lines or topless? 
Topless.

Leather or latex? 
Leather.

Miniskirt or maxi-dress? 
Miniskirt.

Beach bum or snow bunny? 
Both in the same day.

Sun-kissed or SPF? 
Sun-kissed with SPF.

Runway or highway? 
Highway.

Malbec or Margherita? 
Margherita for lunch; Malbec at dinner. 

Look one: coat and shoes by Fendi; latex panties by Atsuko Kudo; pasties by Agent Provocateur; earrings by Emporio Armani
Look two: shirt and skirt by Bottega Veneta; shoes by Alexander Wang; gloves by Atsuko Kudo; ring and earrings by Christian Dior Haute Joaillerie; belt by Chanel
Look three: top by T by Alexander Wang; skirt by Atsuko Kudo; shoes by Bottega Veneta 

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Conversations (7)

  • missdna
    The name of the track is from "L'AVVENTURA" (1960) "Trust Me" Theme Music by Fausto Papetti.
  • imjabr
    awesome model/music/location/styling... not mention the talent of Columbine
    • Posted By imjabr
    • November 30, 2013 at 3:33PM
    • Share Comment:
  • ToyTom
    Great. Beautiful track, i registered just to contribute in showing interest in the track as i see i'm not alone;). I tried every sound analyzer like soundhound and etc available and spent two hours or so trying to find it, but no luck yet. So please someone share the name of the Track ! ;)
    • Posted By ToyTom
    • February 03, 2013 at 12:49PM
    • Share Comment:
  • Sezen
    what is that song?
    • Posted By Sezen
    • January 11, 2013 at 8:36AM
    • Share Comment:
  • stephen.hensley
    Can't we just call this one "Yes, I talked somebody into giving me a budget to do this by referencing the camel toe as weltschmerz. What's it to you?"
    • Posted By stephen.hensley
    • January 09, 2013 at 10:43PM
    • Share Comment:
  • Tejjy Gauthier
    any idea of the music track ?
    • Posted By Tejjy Gauthier
    • January 09, 2013 at 1:22PM
    • Share Comment:
  • laura white
    so stupid
    • Posted By laura white
    • January 09, 2013 at 10:52AM
    • Share Comment:

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  • ON REPLAY
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    Rick Rubin: Music and Spirituality

    Let the Grammy-Winning Guru of Record Production Guide You Toward New Year Nirvana

    Recording artist whisperer and all-around wizened sage Rick Rubin contemplates life and art on the stunning cliffs outside his Malibu residence in this short film by Alison Chernick. The mogul ruminates on living in harmony with nature, the importance of recreating its perfection in art, and the transcendental power of sound before leading us into a guided meditation, a practice he has followed since becoming fascinated with yogis as a teenager. His trademark beard, untouched since he was 23 years old, pays clear homage to their spiritual influence. The story of Rubin’s beginnings at Def Jam Records with Russell Simmons in 1984 from his New York University dorm room has become the stuff of legend. He has since become one of the most influential producers in the history of pop music, producing seminal hip-hop albums by artists such as LL Cool J, Run-D.M.C., and The Beastie Boys, with an unparalleled knack for genre-bending and critically acclaimed covers. He has also masterminded the late-career resurrection of a number of artists via American Recordings, exemplified by Johnny Cash’s victorious comeback. Add to that eight Grammy awards, being named one of Time’s most influential people in the world, and a co-presidency of Columbia Records, and Rubin has more than earned his magic reputation. “He is on a journey through the spiritual and creative wilderness,” says Chernick. “It’s transformative to witness.” 

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