NASA’s Manned Space Program is Immortalized in the Filmmaker’s Eerie Analog Ode
Artist and filmmaker Marco Brambilla salutes the golden age of space travel with Atlantis (OV-104), a video portrait of NASA’s beloved last manned shuttle that distills the dark, unsettling calm of the great beyond. Flickering images captured by an early 80s Ikegami camera recall early space transmissions and deep-sea exploration shots as they reveal the ghostly shape of the film’s eponymous spacecraft. Brambilla enhanced the organic quality of the footage by re-photographing segments of film through a vintage Sony tube monitor. “I wanted the coverage to feel imprecise, like a spotlight on the wreckage of a submarine,” explains the internationally exhibited installation artist and Kanye West collaborator, whose own enthusiasm for space travel began with a visit to the Kennedy Space Center as a child. With the help of public arts organization Creative Time, New York-based Brambilla scored access to the seasoned vessel on the day before it left to be restored for its debut at NASA’s Florida headquarters, where it will be on display beginning this Friday, over a quarter century after its first flight. Atlantis (OV-104) premieres at Christopher Grimes Gallery in Santa Monica the following day. “Atlantis is the last of a national program that was once the world’s most prestigious and experimental,” says Brambilla. “This marks the end of a huge effort that sought to bring people together.”
Source of the name
Atlantis was named after a two-masted sailing ship that was operated for the Woods Hole Oceanographic Institute from 1930-1966.
Number of missions
Distance travelled since its first launch in 1985
Time spent in space
306 days, 14 hours, 12 minutes, 43 seconds.
Most time spent in space on single mission
13 days, 20 hours, 12 minutes, 44 seconds.
Number of planetary probes deployed
Two—Magellan for Venus and Galileo for Jupiter.
Two—SpaceCamp and Deep Impact.
Shanghai Video Artist Lu Yang's Spine-Chilling Fashion Short
New media artist Lu Yang crafts an apocalyptic virtual reality in her new fashion film, The Beast, inspired by the futuristic 90s Japanese anime series, Evangelion. Conceived for the pioneering Beijing exhibition, Dressing the Screen: The Rise of Fashion Film, the world's first comprehensive survey of the avant-garde form, the work fuses modern technology with ancient thought, proposing what exhibition mastermind Shaway Yeh calls “a fusion of the half-machine, half-human anime superhero with the traditional Chinese concept of the human body.” Styled by Audrey Hu, the film features designs by Gareth Pugh, Givenchy and Qiu Hao, and is accompanied by a hypnotic soundtrack excerpted from the metallic orchestras and chamber ensembles of edgy contemporary composer Du Yun. “Some people look up to Western pioneers,” says Hu. “Others choose to focus on creating something of their own. Lu Yang is one of the latter.” Produced in partnership with China's Modern Weekly International, Dressing the Screen showcases nearly 100 works, selected by curator and director Kathryn Ferguson, from the pre-internet experiments of Ossie Clark to the pioneering digital work of filmmakers such as Nick Knight and Ruth Hogben, via Alexander McQueen's holographic catwalk shows. “We would like to put fashion film in a historical context,” explains Yeh, “so the aspiring filmmakers in China can learn and contribute to the development of this young genre.”
Martin de Thurah, Copenhagen
Your biggest fan:
My grandmother. She calls me “prune”.
Ryan Gosling comes over for dinner and you’re cooking:
I would make him a simple Danish dish—a “smørrebrød.” And serve some pickled herring. We would enjoy it in silence.
Your secret nickname (or, your porn name):
It would be Højstrup, which is extremely unappealing.
The last dream you remember:
I dreamed I was 2D and picking up pineapples.
Your go-to karaoke song:
“That Joke Isn’t Funny Anymore” by The Smiths.
The look, outfit or fashion moment you most regret:
Camel print pants, worn in Indonesia in 1993.
The work of art you would most like to own:
If life could resemble any film:
Une Femme est une Femme by Jean-Luc Godard.