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Lisa Rovner

Lisa Rovner

Filmmaker, writer and creative provocateur Lisa Rovner came into the world in 1979 in Silver Spring, Maryland, during a snowstorm—a statement debut that indicated an innate instinct for drama. Her first pivotal encounter with film came after watching Godard’s One Plus One while working in a video store in New York; encouraged by a customer, she set out to remake it. After arming herself with degrees in political science from both McGill University and L’Institut d’Etudes Politiques et Sociales, Rovner settled in Paris courtesy of a film grant and later launched Message is the Medium, a creative consultancy whose clients include Opening Ceremony, Maison Martin Margiela and Acne. Her work in film, photography, performance and writing is thematically linked by a desire to confront history and engage with precedents using the tools of poetry and images. “My films represent my desire to transform politics and philosophy into cinematographic spectacle,” says Rovner, whose work has been presented at FIAC Art Fair, Art Basel Switzerland, the Paris Film Festival, the Anthology Film Archives and The Center for Contemporary Art in Barcelona. Next up for the Paris- and New York-based artist: a feminist version of The Simpsons.

Lisa Rovner by Magnus Unnar, Brittany, France, 2010

More From Lisa

July 5, 2011

Dirty Pretty Things

Artist Lisa Rovner Leaves the X-Rated to the Imagination in Silent Film Abstract Expressionism

More From Lisa

July 5, 2011

Dirty Pretty Things

Artist Lisa Rovner Leaves the X-Rated to the Imagination in Silent Film Abstract Expressionism

Aspiring actress Sarah Liisborg inhabits the role of voyeuristic neighbor in Lisa Rovner’s short Abstract Expressionism, her nuanced reactions hinting at the risqué payoff of eavesdropping. “The film is about initiating the viewer as an active participant rather than merely a consumer,” says Rovner, a Franco-American writer and artist based in Paris. Rovner invited Liisborg to star in the piece after spotting her at the APC boutique in the Marais, where Liisborg works as a sales assistant. “The film started with my fascination with Sarah's face, of wanting to record that pure beauty," she explains. The director read three texts aloud to her muse while capturing her reactions: Martin Luther King’s “I Have a Dream” speech, a recording of Judy Garland recounting her feminist leanings, and a love letter by erotic writer and performer David Piper. In the end, it was Piper’s musings that resulted in the most provocative cinema. Previewed above, the film will be presented in full for Rovner’s debut solo exhibition in New York, Dear Reader, on view at No. 10 Gallery beginning July 12th. 


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  • Dirty Pretty Things

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