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Malerie Marder

Malerie Marder

Malerie Marder was born in Philadelphia and grew up in Rochester, New York. Her mother worked for PanAm, and many of Marder’s early impressions revolve around traveling; but rather than the museums she visited with her family, Marder says: “It was the streets of a foreign city I found most stunning.” Between receiving her BA from Bard, where she studied photography with Stephen Shore, and attending Yale’s MFA program, winning both the Schickle-Collingwood Prize and the John Ferguson Weir Award, Marder interned in the art department at Harper’s Bazaar during the reign of Liz Tilberis. Marder’s photographs have appeared in magazines including Artforum, The New Yorker and Purple, and are included in the permanent collections of the Metropolitan Museum of Art and the Guggenheim Museum, among others. Her first monograph, Carnal Knowledge, was published in April 2011 by Violette Editions.

Malerie Marder by Philip-Lorca diCorcia, NYC, 2011

More From Malerie

April 17, 2011

Malerie Marder: Bare Essentials

The Photographer Opens Up to Philip-Lorca diCorcia in New Book Carnal Knowledge

More From Malerie

April 17, 2011

Malerie Marder: Bare Essentials

The Photographer Opens Up to Philip-Lorca diCorcia in New Book Carnal Knowledge

Malerie Marder’s intimate portraits of subjects including her mother and her ex-boyfriend, actor Peter Sarsgaard, in settings ranging from hotel bathrooms to Hollywood bungalows, are collected in Carnal Knowledge, which we preview above. A four-year collaboration between Marder and Violette Editions, the photobook collects images that span Marder’s decade-long career, each imbued with a palpable self-consciousness under the artist’s voyeuristic gaze. “My work has a lot to do with privacy and secrecy,” says the LA-based photographer. “I’m innately drawn to this, someone disarming themselves for the camera, in a moment that would normally remain private. That’s my drive, or, in a way my addiction.” Marder’s photographs are included in the collections of the Guggenheim Museum and the Metropolitan Museum of Art, among others. Carnal Knowledge will be published next month, complete with short stories inspired by the artist’s portraits from A.M Homes, James Frey and Bruce Wagner, plus a conversation between Marder and pioneering photographer Philip-Lorca diCorcia, excerpted here.

Philip-Lorca diCorcia: If you could change one thing about your work, what would it be?
Malerie Marder:
 No one would be naked, particularly me.

PL: What profession other than your own would you like to attempt?
MM:
Actress in a David Lynch film; JFK’s social secretary; Rick Rubin.

PL: If you could be addicted to something, what would it be?
MM:
Youthful impetuousness.

PL: What is your favorite smell?
MM:
Jet fuel.

PL: Is nail polish important?
MM:
Only in the grand scheme of things.

PL: Is ice cream better soft or hard?
MM:
Soft.

PL: Can animals be considered naked?
MM:
I’m not an expert, but I wager yes.

PL: If you were to die and come back as a person or thing, what do you think it would be?
MM:
A guy.

PL: Do you think you are punished for being unabashedly a woman?
MM:
Yes, and I’m not paranoid.

PL: Would you trade places with anyone?
MM:
Only if they were younger, richer, smarter, better looking, and not artistic.

Malerie Marder: Carnal Knowledge will be published in May by Violette Editions. A display of previously unexhibited work from Carnal Knowledge is on view at London's Blain|Southern Gallery until April 21. A limited-edition photograph accompanied by a signed book is available from the publisher.

 


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  • Malerie Marder: Bare Essentials

What Malerie Loves

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    April 9, 2010

    Restored and Rebooted

    Rainer Werner Fassbinder's "World On a Wire"

  • James Welling's The Glass House
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    February 26, 2011

    James Welling's The Glass House

    The Photographer's Impressionistic View of Philip Johnson's Architectural Wonder

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    January 21, 2010

    The Movie-Worthy Modernist

    Frank Lloyd Wright from Taschen

  • Identity Politics
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    September 26, 2009

    Identity Politics

    Sophie Calle at the Whitechapel Gallery, London

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