Tomorrow’s World: Inside

A Vision in Aqua Pura for Air Man Jean-Benoit Dunckel and Singer Lou Hayter’s Celestial Track

“We like to deal with a certain modern romanticism,” says Jean-Benoît Dunckel, the notable French music producer who is also one half of both electronic luminaries Air and Tomorrow’s World, the group he fronts with British siren Lou Hayter. “I went to see Lou play with New Young Pony Club at the Flèche d'Or in the east of Paris. I liked her presence, her voice and felt a strong desire to record with her. The plan was to record one song. We finished by recording 15.” The result is the duo’s eponymous debut that was released last year, of which the lush soundscape of “Inside” is a highlight. “It’s about unconditional love, so it’s a song for everyone,” says Hayter. “And the beat sounds like a heartbeat.” The track is visualized by director Gauthier Flauder, who had already written a reflective short film. “The discovery of JB and Lou was a revelation,” says the director, whose previous commercial projects include Flowers by Kenzo. “My images found a musical home that gave them a depth and resonance, a meaning that they had been unknowingly looking for.”

Tomorrow’s World is out now on Naive.

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  • mazzenzana alberto
    .... Bill Viola?!?
    • Posted By mazzenzana alberto
    • January 20, 2014 at 9:49AM
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  • ON REPLAY
    ON REPLAY

    Emilíana Torrini: Tookah

    The Elfin Icelandic Singer Gets a CGI Makeover by Shynola

    The computer-generated portrait of ethereal singer-songwriter Emilíana Torrini floats and multiplies in the experimental video for her standout track “Tookah”, directed by pioneering British visual artist trio Shynola, aka Richard Kenworthy, Chris Harding and Jason Groves. “I loved the idea of being a creepy mermaid singing and luring the viewer into the dark,” muses Torrini, who has been nominated for four honors at this February’s Icelandic Music Awards. “To be honest if they said the idea was me playing a unicorn dancing on a rainbow, along with some gummy bears, I would have done it. I’m just glad it wasn't that.” “Tookah” comes from the album of the same name; the word was invented by Torrini to describe a subtle kind of emotional state or inner inspiration. “Happiness and love were things that always hijacked me but Tookah is something gentler, like a whisper,” she says. “It is gentle and breezy and peaceful with bags of humor.” NOWNESS spoke to Shynola, who have made videos for U.N.K.L.E, Blur and Radiohead and recently short film Dr. Easy for Warp, about this latest collaboration.

    What was your inspiration behind Emilíana’s siren-like floating head?
    Shynola:
    We’re fascinated by the idea of the ‘uncanny valley’ [when a computer generated image looks like a person, but not quite]. There’s something unsettling about it, yet you cannot take your eyes off it. This led us to cast Emilíana as some sort of mysterious CGI siren. Our hope is that you think it is both pretty and weird at the same time.

    Did you take your visual cues from the music?
    S:
    That’s always the guiding force behind every music video we make. It’s our job to make visuals that intertwine with the music, hopefully in unexpected ways. Quite often you see music videos where you could replace the sound to no discernible difference. To us that is a failure.

    What’s it like working with Emilíana?
    S:
    Singers often have a twinkle in their eye that’s hard to define and Emilíana certainly has that. A singing CGI model of their own head would freak most people out. She was more amazed than repulsed, thankfully.

    Tookah is out now on Rough Trade.

    (Read More)
  • MOST SHARED IN MUSIC
    MOST SHARED IN MUSIC

    Ryan McGinley's Music Obsessions

    His New Film Captures Rising Bands Girls and Smith Westerns at the Pitchfork Festival

    Today’s exclusive film was sent to us by Ryan McGinley, the lauded artist-photographer whose heady visuals of cavorting teens (awash with atmospheric blurs, lens flares and flashes of light) have made him one of the most in-demand image-makers of the past decade. Earlier this year we were thrilled to premiere his film Entrance Romance (It Felt Like a Kiss), so imagine our excitement when we were presented with this intimate portrait of Smith Westerns and Girls—two of America’s most buzzed-about bands—at this year’s Pitchfork festival. Brimming over with enthusiasm, McGinley even penned a verbal tribute to his sonic muses:

    “Smith Westerns and Girls are two of my favorite bands right now. I first saw Smith Westerns play at this restaurant in a weird little mall in Chinatown, and there were only about five people there. I liked how their hair was always covering their eyes and you could barely see their faces. They were so cute; it was almost like watching a high school band. Smith Westerns went on tour with a band called Girls who I immediately fell in love with, so much so that I sent the singer-songwriter Chris Owens my last photography book along with a fan letter. They covered their entire stage with flowers––I loved that. Their song “Solitude” speaks to me more than any other song I can think of right now. I caught up with both bands at the Pitchfork festival to document their performances and be a fly on the wall the whole weekend. That’s pretty much my idea of a perfect vacation. And it was."

    McGinley catches up with Chris Owens of Girls about hair and Harry Potter here.
    (Read More)

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