On Collaboration: Amanda Harlech x Jonathan Anderson

The Aristocratic Member of Team Lagerfeld Talks to the Young Designer for the Latest in Our Series with EDITION Hotels

“I think that anybody who is a creative artist, who is making something out of nothing, has got to be allowed to explore and go into the wild, even if that is in the middle of a city,” muses Amanda Harlech, Karl Lagerfeld’s longtime right-hand woman who features in “Distinction,” the third part of On Collaboration, the NOWNESS series created in conjunction with EDITION Hotels. Director Johnnie Shand-Kydd captures Harlech alongside London-based designer Jonathan (J.W.) Anderson in the bucolic environs of her blissful Shropshire meadow. “Collaboration is the meeting of minds to birth something new or different,” says Anderson, the Northern Ireland-native at the helm of his own acclaimed, eponymous menswear and womenswear lines, Topshop capsule collections and his first collection for Versus, unveiled in May with the help of Donatella Versace. Harlech works as Creative Consultant for Lagerfeld—and previously John Galliano—and splits her time between Paris and her farm near the North Wales border. “You can only go forward; you can’t be nostalgic or self conscious, that is so dangerous for creativity,” says Harlech, a renowned supporter of emerging fashion talent. “The Latin root of the word collaboration is ‘to work.’ The interesting thing is actually making the work together. It’s all about finding a balance.”

Each film in the On Collaboration series has been produced in partnership with EDITION Hotels, a new project between Ian Schrager and Marriott Hotels. The London EDITION opens today.

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Conversations (2)

  • DUNCAN ROY
    This would be a dear little film if the people in it said anything remotely interesting. Any chance of reducing it? The images are lovely. The people in it are pretentious, dull and inchoate.
  • Ernesto BC
    "It is about finding the poets, those who find the song, the lyricism, and we must keep them close." Thank You ! A millions times today. Poets know, they hear the melody of the Gods, they feel the spirit of time moving underneath the surface. And they have no choice. Without people like you, who understand this and allow them to speak, poets die secretly in darkness, for if nobody hears them, how could they justify such sacrifice ? So, to the few...

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  • MORE IN THIS SERIES
    MORE IN THIS SERIES

    On Collaboration: Franca Sozzani x Miles Aldridge

    The Vogue Italia Editor-in-Chief and Photographer Launch a New Series with EDITION Hotels

    Since they met in 1995, Vogue Italia Editor-in-Chief Franca Sozzani and British photographer Miles Aldridge have been creating vivid, surreal set-pieces for the most experimental and provocative of the magazine’s editions. The ongoing alliance between these two fashion creatives is explored in “Vision,” the first episode of a new series exploring the concept of collaboration. It’s directed by NOWNESS regular Johnnie Shand Kydd in association with EDITION Hotels. Since rising to the helm of the lauded magazine in 1988, Sozzani was instrumental in heralding the era of the supermodel in the early 1990s, while championing the careers of pioneering fashion photographers Steven Meisel, Bruce Weber and Paolo Roversi. Aldridge’s work is in the permanent collections of the National Portrait Gallery and the Victoria & Albert Museum in London. Today he sees the launch of a major home town retrospective at Somerset House, entitled I Only Want You to Love Me, coinciding with a tome of the same name published by Rizzoli. Another London showing of photography, Short Breaths, will be unveiled on July 12 at the Brancolini Grimaldi gallery. “I remember seeing her at one of the runway shows and thinking she looked like a beautiful character from a Fellini or a Visconti film,” recalls Aldridge of Sozzani. “Then a few months later I was having tea with her. I think she wanted me to move into a new world and Vogue Italia have that trust in me, even if I’m playing with slightly disturbing, disquieting, uncertain things.”

    Each film in the On Collaboration series has been produced in partnership with EDITION Hotels, a new project between Ian Schrager and Marriott Hotels. The London EDITION opens in Autumn 2013.

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  • ON REPLAY
    ON REPLAY

    Universal Everything: Presence

    The International Art Collective Enlists Benjamin Millepied for a Digitally Abstracted Performance

    “I found that myself and Benjamin Millepied had a shared motivation for breaking conventions, being inventive with technologies and finding new ways to represent the human form,” says Universal Everything-founder Matt Pyke, introducing today’s audio-visual performance he created with the renowned French choreographer and founding director of the vanguard LA Dance Project. Entitled Presence, Pyke’s digital art studio’s latest collaboration explores the intersection of human movement and computer coding, creating a CGI graphic flourish. It’s a pulsating film with bursts of color—“alive with primal expressions of gestural drawing and choreography,” says Pyke. Universal Everything’s grand installations have appeared in London’s Victoria & Albert Museum, the Museum of Modern Art in New York, and La Gaite Lyrique in Paris. The work is often partnered with sound composed by Matt’s brother Simon Pyke, as in today’s film, which forms part of the immersive, architectural installation Universal Everything & You, the inaugural exhibition of the London Science Museum’s new Media Space. “We had the dancers think about the multiple sculptures their bodies create as they move, and how these represent the music, the same rhythmic pulse,” explains Pyke of the way Nathan Makolandra and Julia Eichten reacted to the tribal-influenced electronic score as they were motion-captured for the piece. “There is a delicate balance in finding movements which feel alive, not synthetic. This point of tension is where the magic happens.”

    Universal Everything & You runs at the Science Museum's Media Space, London from September 21 through February 7.

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