Gold Panda: My Father in Hong Kong 1961

The British Electronica Wiz Offers Up an Evocative Depiction of the Southeast Asian Region

The myriad aspects of Hong Kong life, from the mystery of its shoreline to its bustling streets, are captured in the video to Gold Panda’s track “My Father in Hong Kong 1961.” Taken from forthcoming album Half of Where You Live, the follow-up to 2010 debut LP Lucky Shiner, the song makes reference to Derwin “Gold” Panda’s father, who lived in the region when it was under British control. “He was doing military service in HK in the 60s which must have been such a crazy time,” he says. “I think he had to give police support on days when there were pro-communist marches.” The intricate-yet-dreamlike video was directed by Powers’ longtime collaborator, Israeli visual artist Ronni Shendar, whose work has been shown at Festival de Cannes and the Jewish Museum Frankfurt. Both Powers and Shendar are creative immigrants to Berlin, with the former coming from London, England, and his new album—made in his bedroom in the German city using a Akai MPC2000xl sampler and a Roland TR808 drum machine—carries a similarly transient, global-spanning vibe. “After my last album I toured extensively for three years, so I had a headful of this amazing planet we live on,” he says. “Despite its faults the world is actually great, and I wanted to celebrate not only nature but man-made things—like big glass shopping malls in Asia.” 

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    Iris Apfel x Duro Olowu

    The 91-Year-Old Style Doyenne Shares Life Lessons with the Designer at the Zoo

    When Iris Apfel first met Duro Olowu in 2005, she was decked out in Mickey Mouse pajamas and laden with jewelry, and he had just bagged the award for New Designer of the Year at the British Fashion Awards. The long-standing friends recently met up for a stroll through London Zoo, an encounter filmed by Leigh Johnson. After a brief post-university spell at Women’s Wear Daily, native New Yorker Apfel began a career in interior design in the early 1950s, starting a textile company with her husband Carl, which enabled her to indulge her peripatetic urges, especially in regards to collecting. She continues to be a muse for Jimmy Choo, MAC cosmetics and Albert Maysles, and her trademark more-is-more style has been honored in a celebratory exhibition at the Metropolitan Museum of Art. “We have a very similar aesthetic for international fabric—a sort of curatorial eye for it but in a fun way,” explains Nigerian-born Olowu. “We don’t like precious things and our philosophy is: when in doubt, just add something else.” Olowu, who trained and practiced as a lawyer before launching his eponymous label in October 2004, collaborated with the perennial magpie this year by having her design bags and jewelry to accompany his capsule collection for JC Penney. “She and her husband Carl are like my second parents,” says Olowu. “Of course she loves fashion and I’m in the fashion business, but it’s not based on that. It’s just that I respect them, I like them and anyway I’ve always been a sucker for a 90-year-old broad.”
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    About Group: All Is Not Lost

    The Avant-Soul Collaborators Blast Back Onto Our Radar with an Intense Paean to Nature

    The melancholic and soulful voice of Alexis Taylor overlays an explosive, arborous montage in the video for About Group’s new single “All Is Not Lost.” The dramatic images were selected by the Swedish director and artist Henrik Håkansson from his own project, “Aug. 11, 2012 Symptoms Of The Universe Studies (6min 29 Sec)”, that focuses on two individual black alder trees–already slated for destruction–being torn apart in footage that was taken from different angles and at contrasting speeds. Spliced in with this is slow-motion film of butterflies in flight that was shot by Håkansson at high frame rates of 4000-7000 per second. “I had seen his work before and liked the films of insects, flying or being squashed in slow motion. I thought he could make something beautiful,” says Taylor, who splits his time between About Group and his duties with pan-genre dance outfit, Hot Chip. In About Group, Taylor is joined by a trio of fellow English experimentalists in guitarist John Coxon, drummer and founder of This Heat, Charles Hayward, and jazz and reggae keyboardist, Pat Thomas. The quartet’s second album Between the Walls, due out on Domino in July, was recorded with a mix of free-form improvisation and a desire to tap into the emotional resonance of Taylor’s songwriting that permeates today’s bittersweet track. 

    Where does the feeling of heartbreak in “All Is Not Lost” come from?
    Alexis Taylor: It relates to the divide between one’s sense of self, which might be a fantasy, and what others see of you. You can be both a fantasist and a realist—perhaps the two things conflict and perhaps they don’t need to, but either way you are struggling to make sense of it. It’s also about a small child’s unawareness of these potential conflicts: they have joy in playing and don’t measure fantasy against reality, while the adult grows up to see pleasure in sunlight and the dawning of a new day, but also struggles at times to make things work or be happy. It’s about coming to terms with those conflicts.

    Could you take us through the process of writing the song?
    AT: The lyrics are taken from personal experience, but in terms of chords and subject matter it also owes a lot to R. Kelly’s song “Reality.” I began cycling round the two chords on my Rhodes electric piano, the cyclical “all is not lost” mantra. The chord sequence has the same intervals as those found in hundreds of late 90s and early 00s R&B songs that I love, and I’m interested in the fact that they share these same two minor chords, almost like a modern-day 12-bar blues or gospel equivalent, that you can hear in Monica’s “The Boy Is Mine,” “Love Don’t Cost A Thing” by Jennifer Lopez, “It’s Not Right But It’s Okay” by Whitney Houston and almost every R. Kelly ballad on the album R.

    What are your top five heartbreak songs?
    AT:
    “I Will Always Love You” by Dolly Parton, “Be Careful” by Sparkle feat R. Kelly, “You Never Really Wanted Me” by Charlie Rich, “Old Friends 4 Sale” by Prince, and “Knowing Me, Knowing You” by Abba. 

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