The Girls of 2013

Bright Young Talent From Solange to Haim Are Caught Behind the Scenes of Festival Season

The marriage of female vocals and electronic music has been riding high since Giorgio Moroder and Pete Bellotte introduced Donna Summer to the Moog synthesizer back in the 1970s, and girl-led acts like Blue Hawaii and Empress Of are showing this on the 2013 festival circuit. Shot here at SXSW (Austin, Texas) and Coachella (Indio, California) by photographer Laura Coulson—who also caught up with Solange, Jessie Ware, Sasha Spielberg, Haim's Alana and Io Echo's Ioanna Gika—these women are proving the four-boys-in-a-band model a thing of the past. Spielberg, who sings in Wardell, is reminiscent of a young Grace Slick; here the band's track “Eli” accompanies the series of portraits. “Seeing all of the girls and their bands live got me really excited and spurred me on to document what I feel is a huge year for girls in music,” explains Coulson. “My unofficial theme was, 'girls who are killing it in 2013'. But quite simply, all of these artists are making really powerful and important music that people should be excited about.” We reached out to a selection of the talent to suss out their influences.

Jessie Ware

Favourite album as a kid: 
The Dirty Dancing soundtrack
Favourite movie as a teenager: 
Cry Baby
Favourite song right now: 
Wale, "Bad"
Last thing you thought about before you fell asleep last night
Is my amethyst crystal pointing to the moonlight?
One word that sums up 2013 so far: 

Blue Hawaii

Favourite album as a kid: 
The Spice Girls, Spice World
Favourite movie as a teenager: 
Lost In Translation 
Favourite song right now: 
Street Halo, "Burial"
Last thing you thought about before you fell asleep last night: 
Pony-tail elastics with fur pom-poms, and going home (I've been on tour for 3 months)  
One word that sums up 2013 so far: 

Sasha Spielberg, Wardell member

Favourite album as a kid: 
The Spice Girls, Spice
Favourite movie as a teenager: 
It was a close tie between Almost Famous and Donnie Darko. Whichever would please my livejournal followers. If we're talking pre-teen, it was Clueless. It still is. 
Favourite song right now: 
Daft Punk, "Get Lucky"
Last thing you thought about before you fell asleep last night: 
"Oh no..."
One word that sums up 2013 so far: 
Hashtag or selfie? 

Alana, Haim band member

Favourite album as a kid: 
The Beastie Boys, Licensed to Ill
Favourite movie as a teenager: 
10 Things I Hate About You
Favourite song right now: 
Sheryl Crow, "Strong Enough"
Last thing you thought about before you fell asleep last night: 
Curly fries
One word that sums up 2013 so far: 

Ioanna Gika, Io Echo band member

Favourite album as a kid:
Enya, Watermark 
Favourite movie as a teenager:
Favourite song right now:
TOKiMONSTA, "Sa Mo Jung"
Last thing you thought about before you fell asleep last night: 
Hoping I didn't have the twisted dreams I normally have
One word that sums up 2013 so far:

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Conversations (3)

  • Rosy Dani
    could you post the name of the tune that accompanies the slide show and who its by please? thanks!
    " the band's track “Eli” accompanies the series of portraits."
    • Posted By SOLMARI
    • May 24, 2013 at 12:19AM
    • Share Comment:
  • oioioi
    Hey What is the featured song? Love it...

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    Florence and the Machine: Lover to Lover

    The English Songstress Performs a Tale of American Heartbreak in Vincent Haycock's New Video

    A relationship falls apart in the desert towns and fog-soaked coast of California as the baroque pop chanteuse and Karl Lagerfeld and Gucci muse Florence Welch takes on a cinematic role in this second collaboration with LA-based director Vincent Haycock. After helming the narrative music video for Welch’s Calvin Harris-produced disco hit “Sweet Nothing”, Haycock wanted to further explore singer’s interest in acting in his film for “Lover to Lover”, the latest single from her hit sophomore album Ceremonials. “She wasn’t just Florence, she was playing a character,” he says. “It was exciting to take someone who’s built such an iconic visual style, with the floaty dresses and distinct look of her videos, and do something really different.” Performing opposite Australian actor Ben Mendelsohn, who stars alongside Brad Pitt in the forthcoming flick, Killing Them Softly, Welch's on-screen interpretation echoes the track’s heart-aching refrain, “There’s no salvation for me now.” Beginning in a drab Los Angeles house and building to a cathartic gospel frenzy, the romance ends as the lovesick heroine disappears amid mist into the Pacific Ocean. “The waves were enormous, it was freezing cold and four in the morning—I was weeping all the way in I was so scared,” recounts the MTV Award-winning singer, laughing. “It was the most intense experience because we shot the whole day before; I went back to the hotel, slept for three hours, woke up and dove into the sea.”

    How did the concept for this character come about? 
    I was going through a phase where I was thinking about what I wanted from life, asking, do I want a husband and a child? Why do I think I need that? 

    What was it like to film such intense scenes with a proper actor like Ben Mendelsohn? 
    It was an emotional day and it brought up a lot of things. I’d come to the end of this massive tour and just needed to go home. I was tired and disoriented because Southern California doesn't have seasons--everything's getting cold back home and the leaves are falling but in LA everything’s in this stasis. I think I was screaming, “This isn’t real, I don’t know what’s going on!" and Ben was screaming back, “You’re here, you’re here!”

    Did you have a script? 
    It was completely improvised. I had to think about things that I was actually angry and upset about. It is cathartic, but you have to literally let yourself go. Ben is so sweet and accommodating--afterwards he gave me this massive hug and made me feel so comfortable. 

    Do you plan to take some time off now? 
    I’m not going to tour for a year after this one. I’ve been doing it since I was 21 and I think it’s time really to settle into moving out of my mum's! But I’m not going to stop writing. Playing live is my biggest passion, but I’ve got a lot of ideas, and I need the space to work on them.

    (Read More)

    Spit Gold Under An Empire

    A Bespoke Edit of Emily Kai Bock's Cutting-Edge Documentary on NYC’s Rap Underground

    Mykki Blanco, Angel Haze and C.J. Fly hold forth in this exclusive edit of filmmaker Emily Kai Bock’s new documentary on New York’s underground rap scene, Spit Gold Under An Empire. “So many people there are really pushing the form,” she says of the city's hip-hop avant-garde. “It’s the most interesting and authentic thing going on.” Filmed largely in Brooklyn, the movement’s epicenter provided its own backbeat. “When you’re there, you can hear people in the apartments above and below you, people yelling on the street and car radios going by—it’s like a backing track, and if you’re raised there, it’s in your blood,” says Bock, a rising Montreal-based director with a fine art background who hit the ground running on the music scene with her stunning video for Grimes’ “Oblivion,” which became an overnight sensation. Produced by Somesuch & Co. and set to premiere at the Sundance Film Festival this week alongside efforts from independent directors Abteen Bagheri, Bob Harlow and Tyrone Lebon, the short is part of a series exploring the musical lives of American cities including the New Orleans bounce craze, shoegaze in Portland and Detroit’s warehouse scene.

    Click here to view Spit Gold Under an Empire in full, alongside other works in the New American Noise documentary project, from January 19.

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