The Pope’s New Shoes

Good Friday with the Vatican’s Favorite Cobbler Adriano Stefanelli

Black is the new red—at least that’s the word on the street in Novara, northern Italy, where speculation about the details of Pope Francis’ footwear is reaching fever pitch. “The atmosphere of speculation and rumor was heavy,” says photographer Toby Glanville, who followed papal shoemaker Adriano Stefanelli around the town where he keeps his shop. “Pope Francis is quite a long way from Benedict in terms of style. The new papacy is all about humility, so Stefanelli said they are most likely to be black.” Pope John Paul II wore brown slippers and Pope Benedict XVI wore red, which were famously mistaken for Prada before being correctly attributed to Stefanelli, who has also cobbled for Barack and Michelle Obama. Photographs of the 64-year-old craftsman’s meetings with past popes line the walls of his modest store, revealing a celebrity within the confines of Novara. “People would come up to him because he is super well known,” Glanville says. “The question on everybody’s lips is, ‘Have you made the shoes for the new pope, and what color are they?’ And he would say the order hasn’t come in yet as the pontiff has a lot of heads of state to see first!” We caught up with Stefanelli before the biggest holiday on the Catholic calendar. 

Pope Francis is a new type of pope, with a more modest approach. Has he contacted you? 
Adriano Stefanelli: Not yet. As the news says, the pope has decided to wear resoled old shoes for the moment. A gesture of humility to be welcomed.

Will you still send him a pair of shoes?
AS: Yes. I do not want to reveal details now, but I’m already working on a new pair, with which I would like to pay homage. I have great respect for him and it would be an honor for me to give him a gift.

You have made shoes for Pope John Paul II and many for Pope Benedict XVI. Do you always get to meet the pope first, or do you deal with Vatican staff?
AS: Very often it involves dealing with staff members, but for many of them I do everything under my own initiative. When I made the first model for John Paul II, I did not even know the right size, but guessed it at the first try. After that, everything went on through the ordinary channels.

What can you tell about the different popes from their shoe requests?
AS: Not much, because the shoes were identical apart from the color, but that was not chosen at random. The ruby-red of Pope Benedict XVI stands as a symbol for the blood of Christ and of the martyrs of the Church paid at the foot of mankind. Considering this detail, we can say that Pope Benedict was more focused on the form, the ritual.

Are there any other global leaders you would like to make a pair of shoes for?
AS: I wanted to make a pair for Mother Teresa. In fact, the shoes were almost ready when she died.

What struck you when you eventually did meet the last two pontiffs?
AS: It certainly left a mark on me. I remember both as deeply charismatic, but at the same time as very different. Benedict XVI was very sweet; John Paul II was already sick when I met him but he still managed to convey great strength and I am convinced that he still watches on me from up there.

Were you surprised to receive feedback from Michelle Obama, and will you be making any more shoes for the First Lady?
AS: I was not at all surprised because I’m used to these gestures of gratitude. I have no plans to make her anything more at the moment but I am not ruling it out for the future.

(Read More)

Conversations

No comments have been added yet

Add A Comment

You must be logged in to comment

  • On Replay
    On Replay

    Roman Coppola x Jason Schwartzman

    A Quick-Witted Love Letter From Indie Hollywood's Favorite Cousins

    Film royalty Roman Coppola and Jason Schwartzman conspire with YouTube virtuoso Graydon Sheppard of “Sh*t Girls Say” fame to create today’s videogram, which features the cousin duo bantering on love and obsession. Shooting six-second vignettes on the iPhones inspired by Twitter’s new mobile app Vine, Sheppard pays homage to Coppola’s latest feature A Glimpse Inside the Mind of Charles Swan III, whose comic flavor hinges on absurdist amorous pursuits. The film stars Charlie Sheen as an unrepentant LA playboy who spirals out of control when his girlfriend leaves him and enlists the help and guidance of best friend Kirby Star—played by Schwartzman—to win her back in a 1970s-style romp complete with surreal revenge fantasies and winking parallels to Sheen’s own very public meltdown. A recent Academy Award nominee for Best Original Screenplay, Coppola is the son of polymath Francis Ford and brother of fellow filmmaker Sofia; Schwartzman, meanwhile, has made a name for himself starring in Wes Anderson films from Rushmore to Moonrise Kingdom, on which Roman collaborated, and cousin Sofia's Marie Antoinette. From major film production to casual smart phone clips, Coppola and Schwartzman know how to keep their sense of humor, while keeping it in the family. 

    (Read More)
  • MOST SHARED IN MUSIC
    MOST SHARED IN MUSIC

    Choir of Young Believers: Paralyze

    The Danish Band Offers Up A Celestial Music Video Debut

    Playful watercolor animations and unexpected florals emerge amid a cast of anonymous characters in the video for “Paralyze,” a krautrock-propelled track from Choir of Young Believers’ second album Rhine Gold. Known for orchestral, folk-pop arrangements and moody lyrics, the band rose to prominence following their debut 2008 release This Is for the White in Your Eyes, with tracks like “Hollow Talk” reaching the top of the Danish charts. Directed by Anders Malmberg, today’s film is the band’s first foray into music videos, and sees the hauntingly melancholic vocals of frontman Jannis Noya Makrigiannis paired with a narrative spin. Shot in a defunct slaughterhouse in Copenhagen’s trendy, nightlife-heavy meatpacking district, Makrigiannis and Malmberg—who enlisted illustrator Signe Lupnov for the film's graphic elements—chose to use the longest, most complex track from the album. “In the beginning, I really needed to tame the song because it’s so wild and unorthodox in its structure,” the filmmaker explains. “Once I tamed it—and maybe I never did—I could start creating the visual storyline, which was very much a search for timeless images, the painterly, the film as a sculptural idea and long, precise and transcendent shots.”  

    (Read More)

Previously In culture

View Full culture Archive
LOAD MORE
PLEASE SELECT YOUR LANGUAGE:
中文
ENGLISH
请扫描二维码,关注NOWNESS官方微信!
WeChat

或直接添加NOWNESS官方微信账号:
NOWNESS_OFFICIAL

3777