Mario Goes to Hollywood

The Legendary Mr. Testino is Celebrated in a Sun-Kissed New Show

A wet-haired and Wayfarers-clad Kate Moss lounges next to inflatable pool toys in this series by super-photographer Mario Testino. Today’s arresting images are included in the Peruvian lensman’s upcoming solo show at L.A.’s Prism gallery—Testino’s first U.S. exhibition in seven years—alongside personal snaps and iconic vistas of Lima and Rio de Janeiro. Labeled as the man who turns models into supermodels, his compositions famously play with rich color and glowing light. “Mario takes great inspiration from the LA way of life and the freedom and relaxed nature that seems to be more common here than other destinations, such as New York and London,” says Prism director Jennifer Cox. A reflection of his skill and dexterity as a portraitist over the course of his 30-year career, the 28 large-scale photographs also act as an interesting accompaniment to tonight’s fame-fuelled Hollywood institution, the 85th Academy Awards. “They’re an insight into the way he views the world,” adds Cox. “Images captured without restraint.”

Mario Testino is on view at Prism Los Angeles from February 26 through March 30.

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    Icarus Rises

    Water Powered Jetpack Turns Man into Sea Monster in Thomas Giddings' Futuristic Short

    Rising imperiously from the waves, making jet-propelled dolphin jumps and backwards somersaults, professional stuntman Arran Topham appears as a waterborne Ironman in filmmaker Thomas Giddings’ new short, Icarus. Taking its name from the Greek myth of the child who flew too close to the sun and fell to a watery death, the film stars Topham—who has appeared in The Bourne Ultimatum, X-Men: First Class and the upcoming Bond movie Skyfall—performing delphine acrobatics made possible by the Flyboard. Invented by world champion jet-ski racer Franky Zapata, the luxurious high-tech toy is designed simply for pleasure, allowing anyone to connect with their inner Flipper. “I found out about this machine and flew to Marseilles, where Zapata is based, because I just thought it was so insane,” Giddings recounts. “It has this otherworldly quality; it’s blowing the boundaries between flying and swimming, and as soon as I saw it I wanted to capture it.” During monochrome downpours on the UK’s Dorset coast, the director filmed from a small boat through dusk and dawn to capture the overcast sci-fi footage. For his next project Giddings is journeying deeper into the hidden world of stuntmen, documenting their lives behind the Hollywood scenes for a solo exhibition and book to launch in London and Los Angeles next year.

    STATS FROM ON SET

    Location
    Poole harbor, Dorset.

    Distance to the Sea of Crete where, according to Greek myth, Icarus drowned 
    2,318 miles.

    Highest altitude reached
    Eight meters.

    Minimum depth of water required to operate
    2.5 meters.

    Highest velocity in the air/underwater
    Ten knots/4 knots.

    Horsepower
    300.

    Volume of water ejected by Flyboard
    1,000 liters a minute.

    Flyboard cost
    $10,000.

    Number of times Topham had flown the Flyboard before filming
    Three.

    Number of times Tophan had to be pulled out of the water
    Two.

    Safety team
    One local expert and two other stuntmen on jet skis.

    Liquid consumed on set
    Water.

    Climate
    Twelve hours of torrential rain.

    Time it took to recover
    Five days.
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    Beauty is the New Fashion

    Top Makeup Artists Define the Season’s Trends in a Sultry Short From Tokyo Magazine The Reality Show

    Baby blues are framed in indigo eyeliner and lips go two-tone as models of the moment are painted with this season’s pop palate in a kaleidoscopic short for Japanese fashion magazine The Reality Show. Editor-in-Chief Tiffany Godoy and Art Director Tomoyuki Yonezu co-created the film and enlisted some of the industry’s most sought-after makeup artists to reinterpret fall/winter 12 runway trends, resulting in some major maquillage including a goth-tinged look on model Ewelina Kruszewska, courtesy of beauty world favorite Dick Page. “The way I am thinking about the makeup is that it is not just eyes or cheeks on a face—unless your lips are going out on the town by themselves, everything has to work together,” explains the British creative, who works regularly with Mario Sorrenti, Juergen Teller and Inez & Vinoodh on editorials for the likes of WHarper’s Bazaar and Vogue. Shot with a high-definition Red EPIC camera by photographer Koichiro Doi, the “motion photographs” will run as still images in the The Reality Show’s fourth issue, which hits newsstands in mid-December. “Today we are inundated with fashion images and we see so many of the same clothes all the time, so it seems that makeup is where we can really express individuality and uniqueness,” explains Godoy of the film’s title. “We can change it easily every day without spending a lot, yet we still get to work with the types of brands that give us a sense of glamor, luxury and chic.”
    (Read More)

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