Lovestruck R&B from the Husband-and-Wife Outfit
“I love shooting high-speed,” says Brooklyn-based filmmaker Amilcar Gomes of creating this atmospheric short for Canadian duo New Look's brand new remix of album track, “Teen Need.” “It's always surprising to see the strength of performances in slow motion.” Sarah Ruba and Adam Pavao’s 80s-infused sounds first gained acclaim in 2011, when the act released their self-titled debut album, and the duo enlisted ex-mentor and Sade saxophonist Stuart Matthewman for today’s stripped-down version to continue the retro vibes. The video is New Look’s parting shot before they take an indefinite hiatus: Sarah splits her time between LA and Jamaica while she records with MIA and Santigold producer Switch, along with modelling for Nars, American Vogue and Banana Republic, while Pavao has found a base in Palm Springs, California, where he is working with Theophilus London on his new record. He has formed a new trio, Dimensions, with Brooklyn rapper London and R&B production legend Leon Ware—the trio are releasing a mix tape in the spring.
The Model Steps Forward as the Roguish Heroine of a Surreal Desert Tableau
Sauntering down a desolate highway in opaline pasties and pink latex knickers, an otherworldly Erin Wasson enacts an unexpected domesticity in this short by filmmaker Columbine Goldsmith, shot in California’s Mojave Desert. Wearing spring/summer 2013 looks from the likes of Fendi, Bottega Veneta, Chanel and Alexander Wang, Wasson walks the line between the real and the extraterrestrial as an apathetic housewife tending to a fantastical plot of land. “The landscape doesn’t reveal time or place, so I wanted to imbue the protagonist with a more defined character: an old-fashioned housewife in 60s and 70s silhouettes who also has something discernibly futuristic about her,” says Goldsmith. Referencing the bleak landscapes of Michelangelo Antonioni’s L’Avventura and the humanoid alien of The Man Who Fell To Earth, the film’s title comes from a serendipitous moment: during the shoot at Joshua Tree National Park, Goldsmith noticed a plaque on a nearby boulder that read “La Intrusa Piedra” (The Intruder Rock). The mysterious signage provided an unexpected and welcome nod to the outsider status that Wasson––a veteran of the pages of Vogue and the runways of Balenciaga, Gucci and Lagerfeld, and muse to the likes of Ellen von Unwerth––atypically incarnates in the film. Here she steps out of the sand to reveal her real-life chill-out preferences.
Burning Man or Bonnaroo?
Domestic goddess or domestic help?
Astrology or biology?
Both go hand in hand.
Tan lines or topless?
Leather or latex?
Miniskirt or maxi-dress?
Beach bum or snow bunny?
Both in the same day.
Sun-kissed or SPF?
Sun-kissed with SPF.
Runway or highway?
Malbec or Margherita?
Margherita for lunch; Malbec at dinner.
Look one: coat and shoes by Fendi; latex panties by Atsuko Kudo; pasties by Agent Provocateur; earrings by Emporio Armani
Look two: shirt and skirt by Bottega Veneta; shoes by Alexander Wang; gloves by Atsuko Kudo; ring and earrings by Christian Dior Haute Joaillerie; belt by Chanel
Look three: top by T by Alexander Wang; skirt by Atsuko Kudo; shoes by Bottega Veneta
Let the Grammy-Winning Guru of Record Production Guide You Toward New Year Nirvana
Recording artist whisperer and all-around wizened sage Rick Rubin contemplates life and art on the stunning cliffs outside his Malibu residence in this short film by Alison Chernick. The mogul ruminates on living in harmony with nature, the importance of recreating its perfection in art, and the transcendental power of sound before leading us into a guided meditation, a practice he has followed since becoming fascinated with yogis as a teenager. His trademark beard, untouched since he was 23 years old, pays clear homage to their spiritual influence. The story of Rubin’s beginnings at Def Jam Records with Russell Simmons in 1984 from his New York University dorm room has become the stuff of legend. He has since become one of the most influential producers in the history of pop music, producing seminal hip-hop albums by artists such as LL Cool J, Run-D.M.C., and The Beastie Boys, with an unparalleled knack for genre-bending and critically acclaimed covers. He has also masterminded the late-career resurrection of a number of artists via American Recordings, exemplified by Johnny Cash’s victorious comeback. Add to that eight Grammy awards, being named one of Time’s most influential people in the world, and a co-presidency of Columbia Records, and Rubin has more than earned his magic reputation. “He is on a journey through the spiritual and creative wilderness,” says Chernick. “It’s transformative to witness.”