Paris Filmmaker Benjamin Seroussi Reinvents the Golden Ratio
A Vitruvian woman comes to life in Benjamin Seroussi's new fashion short, Divine Proportions, inspired by the disparate environments of a doctor’s office and a model casting session. “I wanted to have a scientific approach to the character,” says the director. “When you have an X-ray, the doctor manipulates all kinds of equipment to take a picture, and when a model goes to a casting, she has to show her profile, hands and teeth.” The idea evolved into an exploration of the body with regards to the Golden Ratio, updating a Renaissance mingling of art and science for a 21st century aesthetic in this piece, which premiered this weekend at Diane Pernet’s A Shaded View on Fashion Film Festival. Seroussi, who studied film at UCLA and has worked with brands including Bulgari, Pierre Hardy and Louis Vuitton, found and even made the various instruments and contraptions that helped to convey his vision of human geometry. Australian "New Face" Lorelle Crawford strikes poses in outfits by designers Maxime Simoens and Alexandre Vauthier behind measuring mirrors built by the French filmmaker, before being enveloped by a halo of light borrowed from Le Deun Luminaires and finally, spinning in a NASA-built orientation device. “I’m always looking for equipment that puts the body in different situations,” he says. “I wanted a girl who wasn’t afraid of going into a gyroscope."
Aric Chen, Beijing
The look, outfit or fashion moment you most regret:
I undertook some unfortunate experiments with a hair clipper in the 80s.
Your dream dinner guest and what you would cook them:
Rei Kawakubo; the food would be irrelevant.
The work of art you would most like to own:
Adalberto Libera’s “Casa Malaparte”.
The book that should be required reading for everyone you know:
Your most treasured possession:
Arab Sportswomen Celebrated in the Renowned Photographer’s New Series
Saudi Arabian basketball players and Qatari swimmers feature in Brigitte Lacombe’s striking portraits of Arab women in sport. Commissioned by the Qatar Museums Authority, Brigitte and her sister, the documentary filmmaker Marian Lacombe, stayed at the pre-Olympic Arab Games in Doha for ten days last December to find their subjects. Traveling extensively around the Arab world, visiting Qatar, Morocco and Saudi Arabia, Lacombe photographed athletes who were often from economically deprived or war torn countries. “The young girls and women athletes we met were spirited and full of joy,” says Lacombe. “For them to arrive at this level of excellence requires extreme determination to overcome resistance––not only cultural, but economic and political.” The work will be shown at Lacombe’s first exhibition in London, Hey’Ya: Arab Women in Sport, opening at Sotheby’s in late July, alongside a video essay from Marian, and an accompanying large-format book designed by 2x4 and published by Q.M.A. to be published at the same time. Lifted from an Arab expression meaning “let's go,” the show’s title suggests that this is only the beginning for Lacombe. “I hope it will help to open some minds,” she says. “It could end up being an important project, one I will continue to work on.”
Hey’Ya: Arab Women in Sport by Brigitte Lacombe and Marian Lacombe is running at Sotheby's London from July 25 to August 11, traveling to the Q.M.A. Gallery in Doha, Qatar, Spring 2013.