Mirte Maas Walks an Infinite Runway in Barnaby Roper's New Interactive Story
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Credits: 1. Leather dress by Givenchy, skirt by Ann Demeulemeester, top and boots by Rick Owens, cape by Araks; 2. Coat, dress and boots by Rick Owens; 3. Leather dress by Givenchy, hooded top by Ann Demeulemeester; 4. Hat and mask by Rick Owens; 5. Top, dress and boots by Rick Owens; 6. Dress and boots by Rick Owens.
New Zealand's Pop Prodigy Multiplies Into a Formidable Beatboxing Chorus
One-woman, iPad-looping sensation Kimbra performs her breakout hit “Settle Down” in our exclusively commissioned and dynamic short by directors Us. Springing to global attention after featuring on Belgian chart-topping phenomenon Gotye’s “Somebody That I Used to Know,” the soulful 22-year-old Kiwi dropped her debut album Vows in America last month. Us directing duo Christopher Barrett and Luke Taylor filmed a single take of the track to capture the live energy of Kimbra’s performance, visually recreating her vocal loops in post-production. “She builds the entire song using just her vocals, some beatboxing and her iPad,” they explain. “It’s often quite hard to distinguish many layers of sound, so we wanted to break down the structure of her performance, and highlight what she was actually doing.” Currently touring the States with indie rockers Foster the People, NOWNESS caught up with Kimbra on the road to snare her choice of dance moves and drum kits.
The Selby Profiles the Deaf Performance Artist's Sonic Experiments
Cult photographer and filmmaker Todd Selby's latest short is a revealing portrait of performance artist Christine Sun Kim. Deaf from birth, Kim turned to using sound as a medium during an artist residency in Berlin in 2008, and has since developed a practice of lo-fi experimentation that aims to re-appropriate sound by translating it into movement and vision. "It's a lot more interesting to explore a medium that I don't have direct access to and yet has the most direct connection to society at large," says the artist. "Social norms surrounding sound are so deeply ingrained that, in a sense, our identities cannot be complete without it." Selby filmed an exclusive performance from Kim in a Brooklyn studio as the artist played with field recordings of the street sounds of her Chinatown neighborhood, feedback and helium balloons, and made “seismic calligraphy” drawings from ink- and powder-drenched quills, nails and cogs dancing across paper to the vibrations of subwoofers beneath. Working with sound designer Arrow Kleeman, Selby carefully choreographed the film's ambient score to reveal the Orange County native's unique relationship with sound. "Her work deals with reclaiming sound because it's a foreign world to her and one she's not comfortable in," explains Selby. "I wanted the film to act as an artistic conduit for her to tell her story to the world.”
To read an interview with Christine Sun Kim visit our Facebook page here.