Tuesday, May 31, 2011
  • Left: Lauren Bacall in Dior in How to Marry a Millionaire by Jean Negulesco, 1953.
    © 20TH CENTURY FOX / THE KOBAL COLLECTION
    Right: Gisele Bundchen inspired by Irving Penn, embroidered suit in black wool crepe, Fall Winter 2007/08.
    © Christian Dior

  • The Bar Suit, spring 1947
    © Association Willy Maywald/Adagp Paris 2011

  • Left: Forcément Coat, Short trench coat in white gazar, double-breasted, with a wide black patent leather belt. Spring 1991
    © Laziz Hamani
    Right: Marlène Dietrich in Dior in Stage Fright by Alfred Hitchcock, 1950
    © Sunset Boulevard/Corbis

  • Cream wool coat worn with a black patent leather Bar belt. Fall-Winter 2008/09
    © Christian Dior

  • Sketch by Christian Dior taken from the Spring-Summer 1947 « Cahier de Fabrication »
    © Christian Dior

Tuesday, May 31, 2011 Replay
Dior: Inspiration
New Look Icons in the Designer's Couture Retrospective at the Pushkin Museum
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Dior: Inspiration

New Look Icons in the Designer's Couture Retrospective at the Pushkin Museum

Christian Dior's “New Look” has nipped the waists of movie stars, socialites and models since its introduction in 1947 at the French designer's first-ever runway show. The images above, from the couture retrospective Inspiration: Dior at Moscow’s Pushkin Museum, are sensational examples of the corset-like shape throughout the decades. "Fundamentally the 'New Look' is retro—traveling through time to give the present day a sensibility of the past with a modern point of view," explains the exhibition's curator, fashion historian Florence Müller. "It's a seductive vision of femininity," she adds. Through a combination of couture designs and artworks, Müller examines how nature, art and film influenced Dior and his successors. The original New Look suit exemplified Dior’s “Corolle” collection with its padded hips, sloping shoulders and voluminous skirt, intended to connote a flower blossoming, while the “En Huit” pencil-skirted version was embraced by Hollywood: It was worn by Lauren Bacall in How to Marry a Millionaire and Marlene Dietrich, a frequent Dior customer, in Stage Fright. John Galliano produced several interpretations during his tenure, including a suit for the house’s 60th anniversary collection, which Brazilian supermodel Gisele Bündchen wore to open the fall 2007 show. Müller, who  donned several couture gowns for the Pushkin show's inaugural celebrations, offers a first-hand testament to the timeless shape: "You feel transformed and suddenly very confident because your silhouette is redefined." 

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