Friday, March 11, 2011
  • Wim Wenders, "Street Corner Butte, Montana," 2003
    C-print
    186 x 224 cm

  • Wim Wenders, "Wall With Sink, Armenia," 2007
    C-print
    132 x 147 cm

  • Wim Wenders, "Open Air Screen, Palermo," 2007
    C-print
    186 x 213 cm

  • Wim Wenders, "The Painter’s Palette, Onomichi," 2005
    C-print
    132.6 x 133 cm

  • Wim Wenders, "On Mount Etna, Sicily," 2007
    C-print
    186 x 213 cm

  • Wim Wenders, "The Quay Wall, Onomichi," 2005
    C-print
    186 x 225.8 cm

Friday, March 11, 2011 Replay
Berlin Film Festival 2011
Part Two: Wim Wenders Reveals the Poignant Backstory of Pina 3D
Places, Strange and Quiet
Director Wim Wenders Unveils His Behind-the-Scenes Photography Collection
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Places, Strange and Quiet

Director Wim Wenders Unveils His Behind-the-Scenes Photography Collection

It was while shooting his breakthrough 1984 film Paris, Texas that landmark German director Wim Wenders first felt compelled to take up photography; 27 years later, a penchant for documenting his films’ environs has fostered a canon of sparse panoramic landscapes captured on location at such far-flung locales as Brazil, Italy, Japan, Australia and Germany. Next month’s exhibition at London's Haunch of Venison Gallery, Places, Strange and Quiet, presents 40 of Wenders’s large-scale images spanning from 1983 to 2011, which we preview in the slideshow above. The product of an artistic method the filmmaker sums up as “turning left at junctions where others turn right,” the collection features everything from a set of polka-dotted sun loungers in Palermo to a washed out seascape in Japanese island town Naoshima––all happened upon by chance, and each imbued with a feeling of profound solitude. 


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