Wednesday, November 2, 2011
  • Central photo: Andres Serrano, The Morgue, 1997
    Border photo: Illustration of Russian generals Smyrnoff and Fock in a duel, from Le Petit Parisien, 1908. © Stefano Bianchetti/Corbis
    Compiled by Yimmy Yayo for NOWNESS, 2011

  • Central photo: Still from The Invaders, depiction of the transformation sequence, circa 1967
    Border photo: John F. Kennedy motorcade, Dallas, Texas, November 22, 1963
    Compiled by Yimmy Yayo for NOWNESS, 2011

  • Central photo: Ben Acree, Untitled, 2009
    Border photo: Arthur Siegel, Right of Assembly, 1939
    Compiled by Yimmy Yayo for NOWNESS, 2011

  • Central photo: Christian Weber, skull and paper still life, 2002
    www.christianweber.net
    Border photo: Still from Orozco el embalsamador by Tsurisaki Kiyotaka, 2001
    Compiled by Yimmy Yayo for NOWNESS, 2011

  • Central photo: Rick Rodney, Public Assistance, from the series We Are All Going To Hell... That Means You Too, 2009
    Border photo: Claire Danes as Juliet on her deathbed in Luhrmann's Romeo + Juliet, 1996. Courtesy of 20th Century Fox
    Compiled by Yimmy Yayo for NOWNESS, 2011

Wednesday, November 2, 2011 Replay
Yimmy’s Yayo: All Souls’ Day
The Influential Visual Blogger Brings Mexican Day of the Dead to Life
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Yimmy’s Yayo: All Souls’ Day

The Influential Visual Blogger Brings Mexican Day of the Dead to Life

Internet enigma Yimmy Yayo curates a selection of found images to celebrate Dia de los Muertos, the Mexican national holiday where families gather to erect garishly ghoulish altars and keep vigil for the spirits of their beloved. "I've always loved Charon's Obol; the use of coins in burial for the ferryman," says the Sydney-based Yayo of traditional Day of the Dead rituals. "Everything even close to this has been lost. It's sad the only form of mythology we have left is religion." A provocative stream of juxtaposed images mixing reportage photography with erotic close-ups, surreal landscapes and slapstick GIFs, Yimmy’s Yayo attracts almost two million hits a month, but until a profile on The New York Times’ T Magazine earlier this year, Yayo’s identity was the stuff of blogosphere myth. Currently collaborating editorially with magazines like Oyster and recently launched men's magazine Port, Yayo found time to answer some questions on real life and resurrection. 

What motivates you to keep posting images on your site? 
It's a mix of things: inquisitiveness, interest and, after four years, habit. 

Describe a real-life image that moved you recently. 
I was flying back from New York and woke up somewhere over the Midwest. Barren, burnt red mountains and a violent coquelicot sunset made for a spectacular view.

Your blog inspires thousands of readers everyday. Who is your muse? 
I haven't found one yet, but I'm always looking. Inspiration can come from any emotion, both negative and positive. My ex-girlfriend is a perfect example: beautiful, intelligent, inspiring and crazy, she drove me insane in every way, both good and bad. Unfortunately, the idea of a muse has become clouded and representative of little more than a beautiful woman or sexual object. Other qualities such as intelligence, inquisition and defiance aren't accounted for as much as they should be.

Which five historical figures would you resurrect for the day?
It would be overwhelming to just sit and listen to Winston Churchill speak. A day of drinking and talking of women with Charles Bukowski. A day spent taking photographs in Robert Frank or Henri Cartier-Bresson’s respective eras. I’d like to be a fly on the wall in J. A. M. Whistler’s art studio while he worked on “Nocturne in Black and Gold”. A night with Marilyn Monroe.

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dnt mean to be petty since its an easy mistake but “Nocturne in Black and Gold” is Whistler's

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