Sunday, July 11, 2010
  • Polly Morgan Flight of Fancy (Nuthatch) 2009 Crystal jewellery box, taxidermy Nuthatch 140mm wide x 96mm deep x 90mm tall (HV25410) Copyright Polly Morgan Courtesy Haunch of Venison

    Polly Morgan, Flight of Fancy (Nuthatch, 2009
    © Polly Morgan
    Courtesy Haunch of Venison

  • Polly Morgan Atrial Flutter, 2010 Taxidermy cardinal, resin, plastic, wire, 38 x 30 x 90 cm, 15 x 11 3/4 x 35 3/8 inches (HV34020) Copyright Polly Morgan Copyright Photographer Polly Morgan Courtesy Haunch of Venison

    Polly Morgan, Atrial Flutter, 2010
    Photo and © Polly Morgan
    Courtesy Haunch of Venison

  • Polly Morgan Still Birth (Green), 2010

    Left: Polly Morgan, Still Birth (Green), 2010
    Right: Polly Morgan, Still Birth (Red), 2010
    Photos by Other Criteria
    © Polly Morgan
    Courtesy Haunch of Venison

  • Polly Morgan Black Blue  Fever 2010 Copyright Polly Morgan Courtesy Haunch of Venison

    Left: Polly Morgan, Black Fever, 2010
    Right: Polly Morgan, Blue Fever, 2010
    © Polly Morgan
    Courtesy Haunch of Venison

  • Polly Morgan Atrial Flutter, 2010 Taxidermy cardinal, resin, plastic, wire, 38 x 30 x 90 cm, 15 x 11 3/4 x 35 3/8 inches (HV34020) Copyright Polly Morgan Copyright Photographer Polly Morgan Courtesy Haunch of Venison

    Polly Morgan, Atrial Flutter, 2010
    © Polly Morgan
    Courtesy Haunch of Venison

  • Polly Morgan  Copyright Photographer Tessa Angus Courtesy Haunch of Venison

    Polly Morgan, Systemic Inflammation, 2010
    Photo by Tessa Angus
    © Polly Morgan
    Courtesy Haunch of Venison

Sunday, July 11, 2010 Replay
Polly Morgan: Psychopomps
The Taxidermist-Artist's Flights of Fancy at Haunch of Venison
Fall A-Flutter
The Avian Trend That's Taking Off For 2010
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  • Credits

Polly Morgan: Psychopomps

The Taxidermist-Artist's Flights of Fancy at Haunch of Venison

Polly Morgan makes her living stuffing animals into bell-jars. Before you call PETA—she’s a trained taxidermist, who creates fantastical, surreal and darkly humorous sculptures out of creatures she finds dead from accidental or natural causes. Though there’s an archly decorative bent to her work, her sculptures make a definitive departure from the staged, pseudo-naturalistic form typical of the art form. Birds sleep beneath tiny chandeliers, rats curl up in champagne flutes and Dalí’s lobster phone is updated via an upside-down pigeon. Any ick factor is balanced by the sheer thrill of Morgan’s ingenuity—who else, after all, could make a pretty vase arrangement of preserved birds on sticks? First spotted by street art prankster Banksy in 2005, Morgan has famous fans in Kate Moss and Courtney Love, but it’s taken until now for her to mount her first solo show at Haunch of Venison, London, entitled Psychopomps and opening July 21. Below, she shares her thoughts on the upcoming exhibition:

“I just chanced upon the word 'psychopomps.' It seemed to encapsulate a lot of what I was doing. I was reading a book called Animals, Men and Myth, which was about how humans had harnessed the power of various animals over the years for their own ends. The first creatures to go in a hot air balloon were a sheep and a duck—that’s what they tested it out on. They sent a monkey into space, didn’t they? I wanted to pay homage to the whims of those crazy inventors. I have one small work in the show that’s a flying machine based on a Victorian illustration—a cross between a plane and a hot air balloon, but harnessing birds to keep it in the air. It’s blackened and burned and all the birds are tiny bright orange finches. Birds are so beautiful and so varied. I’ve been doing this for six years and I still come across birds I’ve never heard of before. There’s so much potential: you can make them fly; you can have them sitting on something; you can have them huddled up. When they’re asleep, they turn their heads to hide under their wings and become a little ball.”

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