Tuesday, April 13, 2010
  • Patrick Procktor, Tangier (Portrait of Ossie Clark), 1968
    Courtesy Museum of Modern Art, New York, The Joan and Lester Avnet Collection

  • Patrick Procktor, Christopher Gibbs, 1967
    Courtesy of Redfern Gallery
    © 2010 Estate of Patrick Procktor

  • Patrick Procktor, Keith Milow’s Trousers, 1964
    Courtesy of Redfern Gallery
    © 2010 Estate of Patrick Procktor

  • Patrick Procktor, photograph of Procktor from his photo album
    Courtesy of Redfern Gallery
    © 2010 Estate of Patrick Procktor

  • Patrick Procktor, St John on Patmos, 1999
    Courtesy of Redfern Gallery
    © 2010 Estate of Patrick Procktor

  • Patrick Procktor, sketchbook drawing, 1965
    Courtesy of Redfern Gallery
    © 2010 Estate of Patrick Procktor

  • Patrick Procktor, Portrait of Roger Cook, 1966
    Courtesy of Redfern Gallery
    © 2010 Estate of Patrick Procktor

  • Patrick Procktor, photograph of Gervase Griffiths from Procktor's photo album
    Courtesy of Redfern Gallery
    © 2010 Estate of Patrick Procktor

Tuesday, April 13, 2010 Replay
Wistful Thinking
The Art and Life of Patrick Procktor
Prints Charming
Beaudesert Brings Cecil Beaton Home
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Wistful Thinking

The Art and Life of Patrick Procktor

A close friend and contemporary of David Hockney, Patrick Procktor was among the vibrant, dandified young gentlemen that came to define British Pop Art in the 60s. But while Hockney relocated to California, espousing the bold, glamorous style of the Golden State in his pool paintings of the late 1960s and becoming an international superstar in the process, Procktor remained in Marylebone, London, for 36 years, devoting himself to the sun-drenched watercolor paintings that were his trademark. Six-and-a-half-feet tall and with a penchant for floating scarves and bright pastels, he was, according to painter Maggi Hambling (who met him while studying at Camberwell School of Art), “an extraordinary, giraffe-like creature.” He never matched the success of Hockney—his images have a yearning, romantic sensibility that didn't jibe with the Schnabel-obsessed galleries of the 70s—but throughout his life he remained a figurehead of Britain’s new generation of artists, socializing with Princess Margaret (whom he would hilariously impersonate at parties), Cecil Beaton and Derek Jarman (who used to keep one of Procktor’s paintings hung above his bed). This exclusive selection of Procktor’s paintings and sketchbook images, as well as excerpts from his personal photo albums, coincides with Patrick Procktor: Art and Life by Ian Massey, published today by Unicorn Press
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