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Vitrine Objects, All courtesy of Rachel Whiteread.
Photo by Mike Bruce -
Study for “Village”, 2004.
Photo by Prudence Cumming Associates Ltd -
Drawing for Water Tower VI, 1997
Courtesy The Museum of Modern Art, New York -
Vitrine Objects
Photo by Mike Bruce -
Study Blue for “Floor”. 1992
Courtesy Tate
Grand Designs
Rachel Whiteread’s Drawings
Towering mounds of sugar cubes at Tate Modern, an
11-ton resin pillar in London’s Trafalgar Square and a translucent 12-foot
Water Tower in New York’s Soho district: These are the awe-inspiring urban
interventions we have come to expect from sculptor Rachel Whiteread. One of
Saatchi’s infamous YBAs, Whiteread was the first woman to win the Turner Prize,
for House— her monolithic concrete
cast of a full-sized Victorian terraced house in East London. Behind her grand
creations, however, lie delicate drawings, each one shedding light on her
extensive creative process. This month, Prestel releases a monograph of her
elegant scribbles and sketches that make the bigger things happen.
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