Sunday, February 21, 2010
  • Vitrine Objects, All courtesy of Rachel Whiteread.

    Vitrine Objects, All courtesy of Rachel Whiteread.
    Photo by Mike Bruce

  • Study for “Village”, 2004.

    Study for “Village”, 2004.
    Photo by Prudence Cumming Associates Ltd

  • Drawing for Water Tower VI, 1997

    Drawing for Water Tower VI, 1997
    Courtesy The Museum of Modern Art, New York

  • Vitrine Objects

    Vitrine Objects
    Photo by Mike Bruce

  • Study Blue for “Floor”. 1992

    Study Blue for “Floor”. 1992
    Courtesy Tate

Sunday, February 21, 2010 Replay
Grand Designs
Rachel Whiteread’s Drawings
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Grand Designs

Rachel Whiteread’s Drawings

Towering mounds of sugar cubes at Tate Modern, an 11-ton resin pillar in London’s Trafalgar Square and a translucent 12-foot Water Tower in New York’s Soho district: These are the awe-inspiring urban interventions we have come to expect from sculptor Rachel Whiteread. One of Saatchi’s infamous YBAs, Whiteread was the first woman to win the Turner Prize, for House— her monolithic concrete cast of a full-sized Victorian terraced house in East London. Behind her grand creations, however, lie delicate drawings, each one shedding light on her extensive creative process. This month, Prestel releases a monograph of her elegant scribbles and sketches that make the bigger things happen.
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