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"I appreciate the woodiness of this box and the pile of sawdust accumulating on the floor"
ⓒ Peter Lane Collection -
"This scene makes me think of Bulgakov's novel The Master and Margarita. There’s also a puerile double entendre that has to be acknowledged"
ⓒ Volker Huber Collection -
"Kempelen’s Turk was the first sentient robot. A dwarf sat inside the cabinet acted as the central processing unit"
ⓒ Ken Trombly Collection -
"The original 'moke and mirrors'"
ⓒ Jacques Voignier Collection -
"The original one-second sculpture"
ⓒ Peter Lane Collection
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Taschen’s Magic, chosen by Alexander Singh
In the hands of a magician, a spectator’s common sense gives way to someone else’s sleight of hand. It’s an interesting conceit for the role of the artist and is exploited fully in the work of New York-based artist Alexandre Singh. In pieces such as Assembly Instructions (2008), Singh mixes projections and visual references to magical symbols—including white rabbits, top hats and playing cards—with a lecture-like performance format, placing himself in control like an adept conjuror. Today he instructs us further, choosing his favorite images from Taschen’s super-sized new book, Magic 1400s-1950s, available now. Singh is represented by Monitor in Rome, Harris Lieberman in New York and Galerie Art Concept in Paris.
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