Tuesday, December 22, 2009
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    "I appreciate the woodiness of this box and the pile of sawdust accumulating on the floor"

    ⓒ Peter Lane Collection

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    "This scene makes me think of Bulgakov's novel The Master and Margarita. There’s also a puerile double entendre that has to be acknowledged"

    ⓒ Volker Huber Collection

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    "Kempelen’s Turk was the first sentient robot. A dwarf sat inside the cabinet acted as the central processing unit"

    ⓒ Ken Trombly Collection

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    "The original 'moke and mirrors'"

    ⓒ Jacques Voignier Collection

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    "The original one-second sculpture"

    ⓒ Peter Lane Collection

Tuesday, December 22, 2009 Replay
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Taschen’s Magic, chosen by Alexander Singh
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Taschen’s Magic, chosen by Alexander Singh

In the hands of a magician, a spectator’s common sense gives way to someone else’s sleight of hand. It’s an interesting conceit for the role of the artist and is exploited fully in the work of New York-based artist Alexandre Singh. In pieces such as Assembly Instructions (2008), Singh mixes projections and visual references to magical symbols—including white rabbits, top hats and playing cards—with a lecture-like performance format, placing himself in control like an adept conjuror. Today he instructs us further, choosing his favorite images from Taschen’s super-sized new book, Magic 1400s-1950s, available now. Singh is represented by Monitor in Rome, Harris Lieberman in New York and Galerie Art Concept in Paris.

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