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February 26, 2014

The Gathering

Tilda Swinton and Sandro Kopp Host a Star-Studded Cultural Festival in the Maldives

A community of playful souls spent five days at Tilda Swinton and painter Sandro Kopp’s most recent gathering, which marooned 20 mercurial figures on an archipelago in the Indian Ocean in December of last year. Guests included Michael Stipe, Natasha Khan, Haider Ackermann, Waris Ahluwalia, Ryan McGinley and Buzz Aldrin, who were treated to a programme of film screenings, discussions and performances that were captured by photographer Ruediger Glatz. Check the picture credits for some diaristic insights, while below Swinton writes exclusively for NOWNESS of the inspiration behind the event in Soneva Fushi, Maldives

In Ayurvedic teaching there are five elements; air, fire, water, earth and SPACE. Space, not just the gap between other things, the cement between the bricks in life, is a brick in its own right, and an essential one. This concept was only brought to my attention recently, although I realize I have been feeling my way towards it for a while.

Since 2008, I have been proud to be involved—with a variety of blessed collaborators—in setting up a series of events, two in the Highlands of Scotland where I live, one in Beijing and also one in Thailand. Each one is preemptively unique and intended to be unrepeated. Happenings, drawing together elements—either randomly by setting an open invitation or by curating a specific group of participants—to inspire a particular kind of atmosphere conducive to tickling up the kind of space we otherwise find it difficult to catch.
I recognize that these events are somehow chapters in one long rambling experiment spilling out of my own head, happily met by my playmates—principally and throughout, my sweetheart Sandro Kopp, in Scotland and China, my pal Mark Cousins and the wonderful Apichatpong Weerasethakul for our Film on the Rocks adventure on Yao Noi in 2011.

What started with the idea of a film festival in Nairn, with the Ballerina Ballroom Cinema of Dreams—free entrance for home-baking and costume appropriate to the film, bean bags and deck chairs, pre-screening rock-out dancing—became within the course of one baptismal day a community project, a social intervention, something more about the collaborative experience than the programming of a few film titles could ever hope to reach. The following year, A Pilgrimage involved forty dedicated ‘Pilgrims’—and many more along the road—pulling our 43-ton mobile cinema across the Highlands and forging the joy experiment further.
Curating the latest adventure in this line this last December, our Gathering on Soneva Fushi was primarily a curation of people, and laying on a treasure hunt. Putting down a trail of breadcrumbs in the forest, the first of which was the letter of invitation we sent them, suggesting a long journey to a pocket idyll, we invited a group of 20 fellow artists to gather on this magical island in the Maldives to kick back, show films, shoot the breeze, make new alliances, create a piece of work together, be barefoot, snorkel, explore, discover, sleep, eat and dance. Nothing was asked of participants but that they come with open hearts and minds bring with them one item—their ‘Message in a Bottle’—a film, a book, a poem, a song, a drawing, a story, an object to share with the group and leave as a gift to the island when they go.
Each day had an elemental theme as a basic guiding principle for this unfolding treasure hunt: Space, Land, Us, Sea and Air. Over the course of these days we completed the specially designed ‘Eye’ mosaic at the heart of the cinema, as an exercise in communal creation for the group and as a permanent gift to the island from the artists. There were discussions, exchanges of ideas, drawing on the refreshment of shared experience. We were treated to a presentation by Buzz Aldrin and a tour of Soneva Fushi’s eco centre: an extraordinary example of effective waste management and the resort’s pioneering work in the field of responsible tourism. All of us being participants meant that we shared the curation of our nightly cinema screenings.

Our Gathering only existed because Soneva Fushi, created by the truly generous and inspired hands of Sonu Shivdasani and Eva Malström, is a territory specifically designed according to the precepts of slow life, providing the greatest and simplest of all modern luxuries: peace, ease, communion, awareness, responsibility, joy.

What started seven years ago as a cinema-centered concept has grown through the looking glass into a transformative kind of magic carpet ride: anchored not in the virtual, but in the lived experience, shared and authentic and present. Ramshackle rocks to ramshackle rolls, via a slow boat to China to the barefoot tropical island paradise. Onwards. Watch this Space. Keep looking up. Mind the gap.
Tilda Swinton, Scotland, January 2014

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Rovos Rail: Pride of Africa

Along the Luxury Locomotive’s Route Through the Great Karoo

Photographer Misha Taylor captures the wild beauty and endless skies of South Africa as seen from Rovos Rail’s Pride of Africa locomotive. Traveling from Cape Town to Pretoria on the restored 1930s era train with his actress girlfriend Julie Fournier, Taylor passed by quaint villages and historical landmarks such as the Big Hole in Kimberley, the site of South Africa’s late-1800s diamond rush. The restored trains all feature en-suite bedrooms, multiple lounge and dining carriages, and an observation car at the tail, as well as impeccably sourced early-to-mid 19th-century antique furnishings. Others routes the Rovos fleet covers include a 1600-kilometre journey through Botswana and Zimbabwe ending at Victoria Falls, a Namibian safari and an epic 28-day expedition from Cape Town to Cairo that involves flying across the Serengeti in light aircrafts, visiting chimpanzees in Uganda and a cruise on Lake Nasser. Natural disasters, lack of infrastructure and political instability in Africa mean that trips regularly have to be rerouted or rescheduled, but it is something that founder Rohan Vos has learned to take in his stride. “There are flash floods that wash away the tracks, copper thieves stealing parts, troubles at the border, or the locomotors might fail,” he explains. “We have to come up with elaborate schemes to entertain the guests as the tracks are fixed—like fly them to the nearest safari lodge for a night.”

Visit our Facebook page to watch a short film shot during the trip, and see more images of the train and the breathtaking South African landscapes it passed through here. 

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Wolfgang Tillmans: New World

The Turner Prize-Winner Goes Digital to Capture Instant Encounters on Far-flung Travels

From the stars above Kilimanjaro to Shanghai’s neon-lit cityscape, preeminent photographer Wolfgang Tillmans unveils his first impressions of the furthest reaches of the globe. Taking the viewer on a frenetic journey between London, Tierra del Fuego, Tasmania, Saudi Arabia and beyond, Tillmans’ latest monograph Neue Welt creates a hyperactive and graphically juxtaposed image bank that conveys the sheer density of information available in contemporary culture. Edited and designed by Tillmans, the Taschen release marks a turning point away from his abstract investigations of the photographic form to a more outward-looking figurative exploration of the world and the camera’s ability to record modern-day experience. “Neue Welt is a very inspirational document,” says gallerist Maureen Paley, who has represented Tillmans for over a decade. “It flows from micro to macro observations from all over the world with enormous ease, as only Wolfgang can with his generosity of spirit and innate curiosity for all things visual.” Staying only fleetingly at each place he visited so as to retain his instant reactions, Tillmans switched to a digital camera for the project and refused to retouch his images in order to capture an authentic vision.

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