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May 23, 2013

The Girls of 2013

Bright Young Talent From Solange to Haim Are Caught Behind the Scenes of Festival Season

The marriage of female vocals and electronic music has been riding high since Giorgio Moroder and Pete Bellotte introduced Donna Summer to the Moog synthesizer back in the 1970s, and girl-led acts like Blue Hawaii and Empress Of are showing this on the 2013 festival circuit. Shot here at SXSW (Austin, Texas) and Coachella (Indio, California) by photographer Laura Coulson—who also caught up with Solange, Jessie Ware, Sasha Spielberg, Haim's Alana and Io Echo's Ioanna Gika—these women are proving the four-boys-in-a-band model a thing of the past. Spielberg, who sings in Wardell, is reminiscent of a young Grace Slick; here the band's track “Eli” accompanies the portraits in the form of an exclusive remix by experimental producer-du-jour Nicolas Jaar. “Seeing all of the girls and their bands live got me really excited and spurred me on to document what I feel is a huge year for girls in music,” explains Coulson. “My unofficial theme was, 'girls who are killing it in 2013'. But quite simply, all of these artists are making really powerful and important music that people should be excited about.” We reached out to a selection of the talent to suss out their influences.

Jessie Ware

Favourite album as a kid: 
The Dirty Dancing soundtrack
Favourite movie as a teenager: 
Cry Baby
Favourite song right now: 
Wale, "Bad"
Last thing you thought about before you fell asleep last night
Is my amethyst crystal pointing to the moonlight?
One word that sums up 2013 so far: 
Aeroplanes

Blue Hawaii

Favourite album as a kid: 
The Spice Girls, Spice World
Favourite movie as a teenager: 
Lost In Translation 
Favourite song right now: 
Street Halo, "Burial"
Last thing you thought about before you fell asleep last night: 
Pony-tail elastics with fur pom-poms, and going home (I've been on tour for 3 months)  
One word that sums up 2013 so far: 
Change 

Sasha Spielberg

Favourite album as a kid: 
The Spice Girls, Spice
Favourite movie as a teenager: 
It was a close tie between Almost Famous and Donnie Darko. Whichever would please my livejournal followers. If we're talking pre-teen, it was Clueless. It still is. 
Favourite song right now: 
Daft Punk, "Get Lucky"
Last thing you thought about before you fell asleep last night: 
"Oh no..."
One word that sums up 2013 so far: 
Hashtag or selfie? 

Alana, Haim band member

Favourite album as a kid: 
The Beastie Boys, Licensed to Ill
Favourite movie as a teenager: 
10 Things I Hate About You
Favourite song right now: 
Sheryl Crow, "Strong Enough"
Last thing you thought about before you fell asleep last night: 
Curly fries
One word that sums up 2013 so far: 
CRAZY

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Sigur Rós: Valtari

Christian Larson's Industrial Seduction for the Icelandic Outfit’s New Album

Two isolated individuals carnally collide in Swedish director Christian Larson’s collaboration with Antwerp-born choreographer Sidi Larbi Cherkaoui for the orchestral rockers Sigur Rós. "The dancers copy each other’s movements and flow into one another," Cherkaoui explains of the sensual ritual. The video is the 14th in the Valtari Mystery Film Experiment, a series commissioned by the Icelandic band to herald the release of their new album Valtari, giving filmmakers such as Ryan McGinley total creative freedom yet the same budget to interpret the record. Larson, also a trained dancer, has directed commercials for brands like Absolut and Roche Bobois as well as music videos for Tinie Tempah and Swedish House Mafia; for this film he chose four different tracks from Sigur Rós' recent release: "Ekki Múkk", "Valtari", "Rembihnútur" and "Varúð". Cherkaoui, who worked on projects with the Royal Danish Ballet, Cedar Lake Contemporary Ballet and Anthony Gormley before starting his own company, Eastman, in 2010, enlisted Australian dancers James O’Hara and Nicola Leahey for this stirring piece. “There was an interesting contrast with this very harsh environment,” explains Larson of the fluid choreography for the film, shot in a disused MOD base. “I wanted to try and make a dialogue through movement, without anyone saying anything."

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Found: The Rolling Stones

Uncensored Motel Snaps of the Band on Downtime From an Early US Tour

Brian Jones sits bathed in sunlight on the edge of a pool while a 22-year-old Mick Jagger works on his soon-to-be-famous pout in this up-close and personal series of previously unseen photographs of The Rolling Stones. Taken in the spring of 1965, the images shine a light on the unguarded personalities of the original lineup during their third American tour. Captured by an unknown photographer in roadside motels in Clearwater, Florida, and Savannah, Georgia, the sun-bleached images were found by Lauren White at a flea market in Saugus, California. White knew from the moment she looked at the photographs that she’d found something special. “I was blown away by how young they were and how candid and beautiful they looked,” she recalls. “I knew I’d never seen those photos before.” Working with George Augusto to curate an exhibition at the L.A.-based Dilettante gallery, the images capture the band on the cusp of the hip-shaking world domination that would soon follow. “These images capture the moment before things got dirty,” quips Augusto. Recalling family snapshots in their intimacy and openness, the pictures were most likely taken by a close associate of the group. “My intuition is that it’s a girl who took them,” notes White, “shots of them just hanging out and not thinking about music. They had no idea what would come.”

Found: Photographs of The Rolling Stones runs from October 2, 2012––October 26, 2012 at Dilettante gallery, L.A.

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