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May 18, 2013

Megan Wyler: Through the Noise

Artist Margaret Salmon Directs the Rising Folk Singer in an Ode to Avant-Garde Filmmaking

Layers of abstract imagery reference the interwar heyday of experimental filmmaking in the video for Megan Wyler’s “Through the Noise,” directed by UK-based American artist Margaret Salmon. Taken from Wyler’s debut album of the same name produced by maverick British folk producer Adem Ilhan, the song was co-written with composer and producer Peter Raeburn, who has scored multiple features by Jonathan Glazer and Lars von Trier. It reflects, says Wyler, “the moment when a relationship is fractured and there’s an inability to see or hear each other—but then somehow, if you’re lucky, a crack appears and you can find your way back.” Salmon has exhibited at the Hong Kong Museum of Art, the Berlin Biennale and the Whitechapel Gallery in London, and has previously worked with British experimentalist and Björk collaborator Matthew Herbert. “I was struck by the tense, complex simplicity of the song,” she says, “and by the refined femininity of the vocals and lyrics, which seem both fragile and empowered.” Colorado-born Wyler sent Salmon clips of works by Man Ray and Maya Deren as references, while the artist channeled the layered montage work of the French photographer Maurice Tabard, using a hand-cranked Bolex H16 and various Swiss-made, vintage Kern lenses. “I’m a devotee of all moving image but I adore film,” she says. “I find it exciting and precious and limited and expansive all at once.” 

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AlunaGeorge

The Rising Pop-Step Duo Premiere Their Choreographed Video for “Your Drums, Your Love”

Dancers pop and lock around the mirrored and monochromatic artworks of young illustrator Arran Gregory in AlunaGeorge’s video for new single “Your Drums, Your Love.” Twinning electronic-driven R&B with pop sensibilities, Aluna Francis and George Reid first emerged with the hit video for their sultry “You Know You Like It.” Shot at Gregory’s current illustration exhibition at Dalston’s Print House Gallery by director Henry Scholfield, and with Francis wearing a cuboid necklace from east London jewelry designers Shimell and Madden, the video for “Your Drums, Your Love” was an opportunity to collaborate with friends. “There were so many personal elements that had been brought into it,” explains Francis. “We had been trying to work with Arran [Gregory] for a while and we just love sick dancing.” Combining Francis’s statuesque beauty and steamy vocals with Reid’s Dubstep-inspired pop production, the soulful duo, recently trumpeted by The New York Times and The Guardian, are currently putting the finishing touches to their as yet untitled debut album. Here, AlunaGeorge shared their top fashion week party tracks.

Montell Jordan – “This is How We Do It”
George:
It’s an apt statement for any fashion show.

Outkast – “Hey Ya!”
Aluna:
It’s the “shake it like a Polaroid picture” bit. You can imagine everyone in the front row waving their fans watching the models go by. 

Madonna – “Vogue” 
Aluna:
It means a lot to a lot of different people, from the voguing community to young girls. I think it’s nice to bring a lot of different people together. 

Daft Punk – “Digital Love”
George:
It’s been the soundtrack to most decent parties for the past decade. It doesn’t feel old either, and I still bloody love it!

Make up by Smashbox.
Styling by Foluke Anglin.

Head to our Facebook page to go behind the scenes of today's film and post your questions for AlunaGeorge. The band will be posting answers to selected questions tomorrow, Tuesday 9/18.

http://www.facebook.com/nowness#!/photo.php?v=10151152017123618

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Principles of Geometry

The French Electro Duo Look Back to the Future in Surreal Video Springed Dodge

An astronaut flees through fields and forests as a city of buildings-turned-rockets shoot into the sky in director Julien Carot sci-fi video for Principles of Geometry’s “Springed Dodge.” “The film creates a parallel between a runaway society seeking salvation, and an astronaut looking for light, having grown estranged from his own world and seeking a state of grace,” explains Carot. Portraying the Earth about to collide into the sun, the film was shot this summer between Paris and Saint Christophe-sur-Avre, Normandy, with shooting held up for days as Carot insisted on waiting for a heat wave and piercing sun overhead to capture the sense of imminent disaster. “It's always a pleasure to see people create their own images from our music,” say band members Guillaume Grosso and Jeremy Duval, who began making music together out of a common interest for VHS jingles and John Carpenter’s science fiction stories. Combining a crisp, quasi-primitive beat with their trademark vintage ambient sound, “Springed Dodge” is taken from the pair’s third album Burn the Land and Boil the Oceans, released on Tigersushi Records in May. “In a way, the circle is complete—as we clearly compose our music with images in our minds.”

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