music

Your backstage pass to video premieres and unplugged conversations with sonic legends and hot new voices

Latest In music

April 18, 2014

How We Used to Live

Paul Kelly and Saint Etienne Go Back to the Future in a Paean to 20th-Century Living

“It’s been talked of as an ‘anti-nostalgic nostalgia film,’” says Travis Elborough, who co-wrote How We Used to Live with Saint Etienne's Bob Stanley. “We tried to make a portrait of the past but one that you can swim around in, as if you’re living it.” Excerpted in today’s retro-futuristic snapshot of the dawn of the computer age, the poetic trawl through a not-so-distant London is directed by Paul Kelly, who has already collaborated with the pioneering British electronic-pop band on Finisterre (2003), What Have You Done Today Mervyn Day? (2005) and This is Tomorrow (2007). Weaving together analog color footage of the city from 1950 to 1980 sourced from the archive of the British Film Institute, it reawakens the vibrancy of a lost time with the aid of effervescent new music by Saint Etienne's Sarah Cracknell and Pete Wiggs, as well as a narration by Deadwood’s Ian McShane. “The future is never quite what you’d expect it to be, just as the past isn’t either,” says Elborough, whose reputation as a pop-historian has burgeoned in recent years with his books London Bridge in America and Beside the Seaside. “A lot of the footage is looking towards this bright tomorrow,” adds Kelly. “We’ve used it to look back, so we’ve kind of reversed the purpose.”

How We Used to Live will be screened at Southend-on-Sea Film Festival on May 5, and with a first ever live performance of the score by Saint Etienne at the Sheffield Documentary Festival on June 12.

(Read More)

SUBSCRIBE TO music
ON NOWNESS

MORE TO LOVE IN music

Refresh

Spotlight

Jonathan Wilson: Love to Love

The Alt-Folk Guitarist Presents a Paean to California’s Myth, Nostalgia and Landscape

A glamorous LA ingénue is enticed by the allure of the big time in today’s video for Jonathan Wilson’s infectious track, “Love to Love".  Directed by Grant James and Magdalena Wosinska in collaboration with veteran documentary maker Robert Carl Cohen, the short splices archive footage with freshly shot scenes that follow actress Lexi Stellwood in a metaphor-laden role that serves as an autobiography of Wilson’s youthful move to California. “I envisioned a classic Hollywood coming-of-age story, with literal images and iconic ideals,” says Wilson of the video's birth. “Lights, elation and heartbreak—all the things I felt drawn to when I first moved there as a teenager from my small town in North Carolina.” The Echo Park-based singer-songwriter’s departure from a tiny furniture-making town of 15,000 in the Piedmont Region to Beverly Hills forms the basis for “Love to Love”. “I talk about things in the tune like Lower Topanga Canyon, where Woody Guthrie's old cabin sat that I watched get bulldozed, and speak about Yamashiro hill, which is a beautiful Pagoda garden overlooking the city that only a true Angeleno will know.” The track appears on Wilson’s recently released second album Fanfare, an intricately detailed and meandering record on Bella Union, centered around a nine-foot Steinway grand piano and featuring guest vocals from three founding fathers of his brand of rock, Jackson Browne, David Crosby and Graham Nash, and contemporary alt-folk player, Father John Misty—stay tuned for Wilson’s ambient, Terry Riley-influenced collaboration with the latter.

(Read More)

Spotlight

New Look: Teen Need

Lovestruck R&B from the Husband-and-Wife Outfit

“I love shooting high-speed,” says Brooklyn-based filmmaker Amilcar Gomes of creating this atmospheric short for Canadian duo New Look's brand new remix of album track, “Teen Need.” “It's always surprising to see the strength of performances in slow motion.” Sarah Ruba and Adam Pavao’s 80s-infused sounds first gained acclaim in 2011, when the act released their self-titled debut album, and the duo enlisted ex-mentor and Sade saxophonist Stuart Matthewman for today’s stripped-down version to continue the retro vibes. The video is New Look’s parting shot before they take an indefinite hiatus: Sarah splits her time between LA and Jamaica while she records with MIA and Santigold producer Switch, along with modelling for Nars, American Vogue and Banana Republic, while Pavao has found a base in Palm Springs, California, where he is working with Theophilus London on his new record. He has formed a new trio, Dimensions, with Brooklyn rapper London and R&B production legend Leon Ware—the trio are releasing a mix tape in the spring. 

(Read More)

Previously In music

View Full music Archive

LOAD MORE
请扫描二维码,关注NOWNESS官方微信!
WeChat

或直接添加NOWNESS官方微信账号:
NOWNESS_OFFICIAL

3777