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July 24, 2014

Katie Grand x Tim Walker

The Fashion Wizards Conjure Up a Bohemian Fairytale for LOVE Magazine

Master storyteller Tim Walker and LOVE Editor-in-Chief Katie Grand reunite for Wizard, a hyper-dreamy shoot taken from the title's latest issue. Set on shooting his “favorite Brit girls,” Walker whisked homegrown talents including Kate Moss and Edie Campbell to Eglingham Hall, the fantastical 17th-century residence in Northumberland, England, that has defined much of his career. “Tim wanted to shoot a mystical fairy tale, and I never usually like wizards and all that hippy shit, but I loved the challenge of pulling in more magical clothing––especially from the great William Vintage,” says Grand, who unearthed the two-tone Halston dress as seen on Jean Campbell. New to the LOVE fold, Matilda Lowther and Jake Love also joined the cast, but it was the decade-plus teaming of Walker and Ms Moss that ultimately defined the made-in-Britain atmosphere on set. “They were sat in the forest having a cup of tea and a chat, and we were all like, ‘Tim, the light's going, Tim the light's going,’ but they were much more bothered about the tea,” adds Grand. Fresh from a road-trip across Utah and Arizona after closing issue 12, the super-stylist sat down with NOWNESS to talk Snow White, wishes and to-do lists.

When did you first meet Tim? 
Katie Grand:
We first worked together on Dazed & Confused about a million years ago. I think the story was called Poor Cow, and Grace Cobb styled it. I had been at college with Grace and she introduced us. They shot a cow on the M40, I think.

If you could describe shooting with him in emojis, what would they be? 
KG:
I don’t have emojis on my computer, but if I did there would be hearts and wizard hats, and perhaps the camels––they always make me smile, especially to accompany a picture when someone is showing a lot of cleavage.

Who else’s vintage collection do you admire? 
KG:
Stephen Philip at Rellik; he's always such a joy. Others’ I've admired are Azzedine Alaïa's, Miuccia Prada’s and Manuela Pavesi’s.

What do you most identify with in fairytales?
KG:
I like how sinister they are with such a dark overtone. Something bad always happens and someone always has a good cackle about it. Jean Campbell would be Goldilocks and Matilda’s got beautiful white skin, so she’d be Snow White.

What's on your to-do list?
KG: Answer these questions; get back to Irene at Marc Jacobs about the SS15 shoe fitting; get back to Condé Nast about our advertising sites for the new issue; look at the new Italian Vogue; send Hannah McGibbon a note to thank her for sending her excellent magazine; pick up a new cape from Prada. I think that's it today––not particularly stressful. 

Finally, one wish?
KG:
My rabbit Clara to come back (she died this week).

LOVE 12 Autumn/Winter 2014 is out Monday 28 July. 

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On Collaboration: Amanda Harlech x Jonathan Anderson

The Aristocratic Member of Team Lagerfeld Talks to the Young Designer for the Latest in Our Series with EDITION Hotels

“I think that anybody who is a creative artist, who is making something out of nothing, has got to be allowed to explore and go into the wild, even if that is in the middle of a city,” muses Amanda Harlech, Karl Lagerfeld’s longtime right-hand woman who features in “Distinction,” the third part of On Collaboration, the NOWNESS series created in conjunction with EDITION Hotels. Director Johnnie Shand-Kydd captures Harlech alongside London-based designer Jonathan (J.W.) Anderson in the bucolic environs of her blissful Shropshire meadow. “Collaboration is the meeting of minds to birth something new or different,” says Anderson, the Northern Ireland-native at the helm of his own acclaimed, eponymous menswear and womenswear lines, Topshop capsule collections and his first collection for Versus, unveiled in May with the help of Donatella Versace. Harlech works as Creative Consultant for Lagerfeld—and previously John Galliano—and splits her time between Paris and her farm near the North Wales border. “You can only go forward; you can’t be nostalgic or self conscious, that is so dangerous for creativity,” says Harlech, a renowned supporter of emerging fashion talent. “The Latin root of the word collaboration is ‘to work.’ The interesting thing is actually making the work together. It’s all about finding a balance.”

Each film in the On Collaboration series has been produced in partnership with EDITION Hotels, a new project between Ian Schrager and Marriott Hotels. The London EDITION opens today.

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Spotlight

Acne Paper: Screen Test

Unlikely Starlets Herald the Latest Issue of the Cult Fashion Title

Taking cues from a darkly-hued Hollywood noir aesthetic, the multifaceted allure of ‘the actress’ is captured in this series taken by British photographer Daniel Jackson. An excerpt from the 15th edition of Acne Paper, the foolscap-sized cultural bi-annual conceived by the eponymous Swedish label out this weekend, the shoot was styled by the title's Fashion Director Mattias Karlsson. Calling upon an international cast of starlets including child prodigy Onata Aprile, 1960s stage actress Dina Paisner and cult blogger Karley Sciortino, Karlsson dressed them in designers including Stella McCartney, Yohji Yamamoto and Prada. “We decided to be spontaneous and playful, to create a character then and there,” he explains of the cinematic moments the pair staged with 13 lesser-known screen starlets. “The cross-section of women represent our interest in merging different generations,” says Editor-in-Chief Thomas Persson of Jennifer Venditti’s dynamic casting. “It created the right kind of rhythm being so fresh and modern and colorful. We wanted to feature fascinating people, who might not necessarily be super global mega stars.”

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