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July 27, 2014

Summer School: HVW8 Gallery

Art Lessons and Dance Sessions in the Californian Desert

From the brazen imagery of Amsterdam’s Parra to the internet-inspired visuals of the Kanye West-affiliated Canadian artist JJJJound, LA gallery HVW8 cultivates an international collision of pop culture and graphic design in a contemporary art setting. “We allow someone that might not be familiar with the artists we exhibit to see them in a lineage of El Lissitzky or Roy Lichtenstein, who to me are examples of fine graphic artists,” says HVW8 co-founder Tyler Gibney. This month the gallerist took psychedelic artists Erin D. Garcia, Teebs, Jean André and Alvaro “Freegums” Ilizarbe on a desert road trip for Summer School, an art and music weekender at Ace Hotel in Palm Springs featuring sun-kissed West Coast bands such as dance-punk duo De Lux. “I grew up with a Bauhaus education and I love the idea of artists teaching and exposing their craft,” says Gibney of the hands-on experience of Summer School’s workshops. Founded in 2011 by LA new music champions School Night and Ace Hotel, the micro-festival’s inaugural line-up included cult mobile letterpress studio Movable Type, and Chris Johanson of the Mission School art movement. “I approach my drawings as a viewer, I want to understand why a choice is made and the reason behind it,” says Garcia, who took on collage class duties while Cali locals Teebs went cosmic with Japanese tie-dye alongside Ilizarbe’s infinity patterns, and Paris’s André showcased poster techniques. “I think there's an elegance in a simple idea that's communicated well.”

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For Ann

Lawrence Weiner Narrates Director Erik Madigan Heck's Poignant Farewell to Ann Demeulemeester

With feet planted in the shallows of the Pacific Ocean, American photographer and filmmaker Erik Madigan Heck captures the rolling waves of Venice Beach, California, in today’s Super 8 tribute to Belgian designer Ann Demeulemeester. Entitled The Sea, the meditative short features a narration by artist Lawrence Weiner, whose baritone recital of Pulitzer Prize winning poet Marianne Moore’s “A Grave” adds a tender note to a collaboration started in 2011. “I had made four films in the past as gifts to Ann and this seemed like the appropriate finale to that series,” says Heck, who has shot for Comme des Garçons, Valentino and Mary Katrantzou. “The pieces came together in the past few months, coincidentally just as Ann announced her departure from fashion.” Heck first approached the post-minimalist vanguard Weiner to pose for him wearing Demeulemeester’s Fall 12 collection for his “Artist As Muse” series for A Magazine Curated By, connecting the iconic Antwerp Six designer with one of her favorite artists. The New York-based photographer later captured Weiner’s mural “Iron & Gold in the Air Dust & Smoke on the Ground” in his third film for Demeulemeester. “Ann showed me that fashion could function as an art form,” explains Heck, founder of publications Nomenus Quarterly and the forthcoming No Photos Please. “Growing up in Minneapolis, Lawrence had a large text mural on the side of the Walker Art Center, which we drove past on my way to school. It was one of the first works of art that I internalized daily before I even understood it as art.” And what will Demeulemeester fill her time with now she has departed her beloved career. “I love my gardens,” she says. “They are alive, so there is always something to do.”

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Spotlight

Stella Schnabel Gets Down

The New York Actress Pulls Out Her Best Moves at Her Father's Studio

Stella Schnabel teases out her inner dancehall queen for photographer Rachel Chandler’s debut film. The hypnotic short was captured earlier this year in the balmy August heat during a five-hour dance-athon at Stella’s father, artist and director Julian Schnabel’s Montauk studio. “I had wanted to film her dancing for several years,” says Chandler, a contributor for Vogue.com, Purple Diary and Dazed Digital. “She would come to my nights when I was a DJ and I would just watch her.” The haunting score comes from Paris artist and agnès b. collaborator Charles Derenne’s musical project, 1982. “I was asking a lot of her and her openness exceeded my expectations,” continues the filmmaker, whose intimate, on-set crew included Schnabel’s Chihuahua, Little Joe. Read on for the actress' thoughts on dance.

What type of music do you like to dance to?
Stella Schnabel: Any Aphex Twin album, Nas, Mobb Deep and of course the original New York OG Lou Reed.  

Where do the dutty vibes come from?
SS: I've been going to Jamaica since I was a kid; it’s a reliable source to get my mood in a good spot.

Favorite dancing memories?
SS: My first rave was outside of London when I was 14 with my old pal, Dan Macmillan. Since then, dancing with my girlfriends from Brooklyn at their block parties.

Who is your dream dance partner?
SS:
Bez! And Nancy Sinatra, Tina Turner, James Brown, Chris Walken, Yolandi Visser.

What do you do to get in the mood to dance?
SS:
There is never a moment I don’t want to.

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